The best Miranda Richardson’s romance movies
Today we present the best Miranda Richardson’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Miranda Richardson’s movies.
Damage
6.7/10
The life of a respected British politician at the height of his career crumbles when he becomes obsessed with his son's lover.
Paris, Je T'Aime
7.2/10
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.
The Prince & Me
5.8/10
A fairy tale love-story about pre-med student Paige who falls in love with a Danish Prince "Eddie" who refused to follow the traditions of his parents and has come to the US to quench his thirst for rebellion. Paige and Edward come from two different worlds, but there is an undeniable attraction between them.
The Phantom of the Opera
7.2/10
Deformed since birth, a bitter man known only as the Phantom lives in the sewers underneath the Paris Opera House. He falls in love with the obscure chorus singer Christine, and privately tutors her while terrorizing the rest of the opera house and demanding Christine be given lead roles. Things get worse when Christine meets back up with her childhood acquaintance Raoul and the two fall in love
The Crying Game
7.2/10
Irish Republican Army member Fergus forms an unexpected bond with Jody, a kidnapped British soldier in his custody, despite the warnings of fellow IRA members Jude and Maguire. Jody makes Fergus promise he'll visit his girlfriend, Dil, in London, and when Fergus flees to the city, he seeks her out. Hounded by his former IRA colleagues, he finds himself increasingly drawn to the enigmatic, and surprising, Dil.
Enchanted April
7.3/10
Based on Elizabeth Von Arnim's novel, four Englishwomen rent an Italian villa on holiday.
The Young Victoria
7.2/10
As the only legitimate heir of England's King William, teenage Victoria gets caught up in the political machinations of her own family. Victoria's mother wants her to sign a regency order, while her Belgian uncle schemes to arrange a marriage between the future monarch and Prince Albert, the man who will become the love of her life.
The Evening Star
5.9/10
Continuing the story of Aurora Greenway in her latter years. After the death of her daughter, Aurora struggled to keep her family together, but has one grandson in jail, a rebellious granddaughter, and another grandson living just above the poverty line.
Tom & Viv
6.3/10
The story of the marriage of the poet T. S. Eliot to socialite Vivienne Haigh-Wood, which had to cope with her gynaecological and emotional problems and his growing fame.
St. Ives
6.5/10
In 1813, Capitaine Jacques St. Ives, a Hussar in the Napoleonic wars, is captured and sent to a Scottish prison camp. He's a swashbuckler, so the prison's commander, Major Farquar Bolingbroke Chevening, asks for lessons in communicating with women. Both men have their eyes on the lovely Flora, who resides with her aunt, the iconoclastic and well-traveled Miss Susan Emily Gilcrist. By chance, living close to the camp is Jacques's grandfather and brother, whom Jacques believes died years before. Jacques decides to escape, find his relatives, and win the hand of Flora; Major Chevening and an unforeseen enemy stand in his way. Can Miss Gilcrist contrive to make everything work out?
Century
6.2/10
Turn-of-the-century love story centered around a young doctor and the emergence of modern science.
Parade's End
7.5/10
In the years before the First World War, three Britons are drawn into fraught and ultimately tragic relations: Anglican Christopher Tietjens, second son of the lord of the manor of Groby, Yorkshire, who is a disconsolate, Tory statistician in London; Catholic Sylvia Satterthwaite, his promiscuous and self-centered socialite wife who has married him only to hide the fact that their son is not really his; and freethinking Valentine Wannop, a young suffragette and daughter of a lady novelist, who is torn between her idealism and her attraction to "Chrissy". As the war works a profound change on Europe, and Chrissy is badly wounded in France, the conflict shatters and rearranges the lives of all three principals, as well as virtually everyone else in their elite circle.
