The best Mino Doro’s movies

In 25 AD,Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners. Three years later and freed by a grateful Roman galley commander whom he has rescued from drowning, he becomes an expert charioteer for Rome, all the while plotting to return to Judea, find and rescue his family, and avenge himself on his former friend. All the while, the form and work of Jesus move in the background of his life...

Journalist and man-about-town Marcello struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.

Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.

In the second episode of the trilogy Fantômas kidnaps distinguished scientist professor Marchand with the aim to develop a super weapon that will enable him to menace the world. Fantômas is also planning to abduct a second scientist, professor Lefebvre.

Angelique goes in search of her husband Joffrey de Peyrac who did not die on the stake.

A former counterrevolutionary pirate befriends a mentally ill young woman and this in turn leads to tragedy when she falls in love with a French naval officer.

When strange atmospheric events occur in the disunited city states of Ancient Greece, a forum debates what action to take. As there is no agreement, Androcles King of Thebes seeks the assistance of his friend, the legendary Hercules. Hercules, now married to Deianira with a son named Hylas does not wish to leave the comfort of his family, though Hylas is keen for adventure.

Among others, Ernesto returns to Turin after the war from a German POW camp; his household destroyed and family deceased, he tries making an honest living.

Based on the Edward Bulwer-Lytton novel. Set in the shadows of Mt. Vesuvius just before its famous eruption, the film begins with Glaucus, a Roman legionnaire, returning to his home from far-off wars. Upon arriving, however, he discovers that his father has been murdered by a gang of black-hooded looting bandits. Glaucus vows revenge against the killers, but just how high up are those involved?

After spending three years in an asylum, a washed-up actor views a minor assignment from his old director in Rome as a chance for personal and professional redemption.

An American commando who's the sole survivor of a parachute jump into WWII-era Italy leads a group of children in a campaign of sabotage against the Nazis.

There were very few commercial feature films made during the Italian fascist era that were as openly propagandistic as this famous (notorious?) dramatic paean to the Blackshirts. The story takes place in a small village in Italy in October of 1922, on the eve of the fascist "March on Rome", in which King Victor Emanuel III was persuaded to consign power to Benito Mussolini. Gianfranco Giachetti is Dr. Cardini, a doctor at the local psychiatric hospital, where a strike has been called by the local socialists. Cardini turns to the fascists to help avert the strike. His son Roberto (Mino Doro) rounds up fascist friends to fight those aligned with the strikers and the town's socialists.

Nero is on holiday at the seaside. Poppea, Seneca and many other guests are with him. Nero is preparing a great show where he will be the star. When Agrippina, his mother, arrives with her German praetorians and decides Nero has to conquer Britain, she is asking for trouble. Many attempts of murder and poisoning will happen on the eve of his great show.

With the desire to be rich gnawing at him, an arriviste pursues a golden real-estate opportunity at the expense of friends and family. Now, he has to renounce his dignity. What's the good of chasing success when you are left all alone?

An American (Robert Stack) talks a retired French crook (Jean Gabin) into robbing a bank, but kidnappers demand the loot as ransom.