The best Minas Hatzisavvas’s movies

In 1974, a group of 11-year-old boys spend the last carefree summer of their childhood, unaware that the world of grown-ups, with its loves, passions, prejudices and curses, is about to seal their fate. Aaron, Stelios, Sakis, Galanos and Verios, "the acrobats", are best friends. School has closed for the summer holidays and the children spend their time playing games, running errands, and riding their bikes. Life is a game, into which they channel all their physical energy and imagination. They practice their diving abilities in a big cistern. It is a game through which their special talents and competitive spirit unfold. One is good at balancing acts, another at diving and another at somersaults. It is in this neighborhood that Aaron will spend the most important summer of his life: a rite of passage from childhood to adolescence, a time for learning about love, jealousy and friendship.

Sotiris is a police investigator in Athens who lives by a strict moral code. An honest man, he carries himself as though held down by the weight of the world. Dora is a cleaning lady, struggling to get by any way she can. Dealt a rough hand in life, she has developed a rich layer of cynicism and mistrust that informs her every action. When a man Sotiris believes is innocent is arrested for a brutal crime, his attempt to uncover the truth results in a grave mistake. Finding himself on the other side of the law for the first time, he places his fate in Dora, the only witness to his malfeasance and the only person who can help him, for better or for worse.

Inspired by the real-life story of a bus hijacking in Northern Greece, HOSTAGE explores the sensitive issue of Greek-Albanian relations through a young Albanian who takes over an intercity bus. Upon hijacking the bus, he takes the seven passengers hostage and demands a ransom of half and million euro, and safe passage to his homeland of Albania. Surrounded by police, the bus trundles towards the Albanian border and the tension mounts until the final harrowing conclusion.

At midnight, on a deserted Athenian street, a beautiful woman named Eleni Chalkia is fatally stabbed by a stranger, who immediately disappears into the shadows. The murderer is Ioannis Zachos (Manos Logiadis), a young man lacking in both mental and sexual stability, who lives out his erotic fantasies through purifying violence. He often fantasizes about killing beautiful women, in this way compensating for his deficient manhood and satisfying his passion for power. When he is arrested, he immediately confesses his crimes, which is a relief to the police, who have been accused of gross ineptitude by the press. During the trial that follows, the relentless question, “who is ultimately guilty? Man or society?” is again raised.

The story follows the sporadic reunions of six friends during the seven year period of their integration into society. The reunions take place on their ancestral island, the setting of their common past. Every time they return "home" they carry with them the results of their personal choices. They also carry with them the effects of modern Greek society, a society the slowly but surely changes them, weathering their relationships, until they gradually lose contact with each other. The end of this epoch, will find them dispersed, confronting the dawn of an era where the pursuit of individual ambitions reigns.

Against the backdrop of Athens' bustling streets, a Greek white-collar worker starts his day off by doing various errands, and even though he hasn't worked all day, in reality, he is exhausted. Is this what his typical day off looks like?

Four episodes, four instances from a man’s life covering 25 years, from 1965 in Germany to 1990 in Athens. The episodes seem to be irrelevant to one another, yet they all focus on male powerplay, reveal the self-consciousness and moderation of the protagonist’s idiosyncrasy and depict some special aspects of the Greek male mentality. Probably Nikos Panayotopoulos’ most personal film, covering a substantial period of his generation’s years, “I’m dreaming of my friends” is based on the book by Dimitris Nollas, looks a lot like a “road movie” and features an all-male cast, as if there’s no room for women in it.

After suspecting that their police officer neighbor is a serial killer

A group of men in their sixties that spend the August nights in Athens outside a pharmacy during night shift, an ambulance driver who has an affair with a younger girl, a middle-aged couple who have invented a lie to renew their passion for one another, a child pretending to sleepwalk in the streets of Athens, two younger people who are tied together in an office after a burglar attack, and other amorous encounters during the same night.

A mother with her ten year old son, are looking to find an apartment for rent but those who finds are expensive or hide bizarre people and chaotic situations. But time is short and there is a risk being left on the road.

Aris and Thanos are good friends and they share an apartment. The arrival of Stella will unbalance their relationship.

A lone car thief, meets a mysterious and charming woman who would be the love of his life but will lure him into a dangerous adventure.

After the death of her father a young woman who was a student in Germany suffers a nervous breakdown and withdraws inside herself. Her younger sisterʼs attempt to stop the family from having her locked up in a mental hospital fails and brings about her own mental decline. The film marked Stavros Tsiolis re-emergence after a 14-year absence but was also the film debut of actress Pemi Zouni.

A young chemical engineer finds a new job in a multinational corporation. As he climbs the career ladder, he loses his humanity.