The best Milo Sperber’s movies

Russian and British submarines with nuclear missiles on board both vanish from sight without a trace. England and Russia both blame each other as James Bond tries to solve the riddle of the disappearing ships. But the KGB also has an agent on the case.

A former British spy stumbles into in a plot to overthrow Communism with the help of a supercomputer. But who is working for whom?

A luxury liner carries Jewish refugees from Hitler's Germany in a desperate fight for survival.

Two teenagers, Mary (Hayley Mills) and Robert (Keith Hamshere) are lead by Professor Paganel (Maurice Chevalier) on a search expedition for the children's shipwrecked sea captain father. This Disney film was based upon Jules Verne's 1868 adventure novel Captain Grant's Children.

Allied agents infiltrate the Nazi rocket complex at Peenemunde in order to obtain their secrets and sabotage the plant.The film alternates between German developments of the V-1 missile and V-2 rocket (with a German cast speaking their own language) and discovery by British Intelligence of the weapon.

On the eve of his 78th birthday, the ailing, alcoholic writer Clive Langham spends a painful and sleepless night mentally composing and recomposing scenes for a novel in which characters based on his own family are shaped by his fantasies and memories, alongside his caustic commentary on their behaviour.

Millionaire Victor Danemore, living on the French Riviera, dies suddenly of a heart attack. His secretary, Dave Bishop, wants to know more about his employer's life. Surprisingly, not even his young wife knows anything about her husband's background or how he earned his fortune. Clues lead Bishop to Vienna and Stockholm, where he learns that Danemore was black-mailing people who cooperated with the Nazis during WW2.

David Charleston, once a world renowned journalist, now lives alone maintaining the Thunder Rock lighthouse in Lake Michigan. He doesn't cash his paychecks and has no contact other than the monthly inspector's visit. When alone, he imagines conversations with those who died when a 19th century packet ship with some 60 passengers sank. He imagines their lives, their problems, their fears and their hopes. In one of these conversations, he recalls his own efforts in the 1930s when he desperately tried to convince first his editors, and later the public, of the dangers of fascism and the inevitability of war. Few would listen. One of the passengers, a spinster, tells her story of seeking independence from a world dominated by men. There's also the case of a doctor who is banished for using unacceptable methods. David has given up on life, but the imaginary passengers give him hope for the future.