The best Miguel Herrán’s movies
Miguel Herrán (born 25 April 1996) is a Spanish actor. He is best known for playing the roles of Aníbal "Río" Cortés in Money Heist and Christian Varela Expósito in Élite. In 2016, he won the Goya Award for Best New Actor for his role in the film Nothing in Return.
Money Heist: The Phenomenon
7.5/10
A documentary on why 'Money Heist' sparked a wave of enthusiasm around the world for a lovable group of thieves and their professor.
The Invisible Guardian
6.4/10
When the naked body of a teenage girl is found on the banks of the River Baztán, it is quickly linked to a similar murder one month before. Soon, rumours are flying in the nearby village of Elizondo. Is this the work of a ritualistic killer or is it the basajaun, the ‘invisible guardian’ of Basque mythology? Inspector Amaia Salazar leads the investigation, taking her back to the heart of the Basque country where she was born, and where she hoped never to return. Shrouded in mist and surrounded by impenetrable forests, it is a place of unresolved conflicts and a terrible secret from Amaia’s childhood that will come back to haunt her. Faced with the superstitions of the village, Amaia must fight the demons of her past to confront the reality of a serial killer on the loose. But as she is drawn deeper into the investigation, she feels the presence of something darker lurking in the shadows…
Sky High
5.6/10
A commentary on Spanish society dressed as a thriller about the misadventures of a gang of young petty criminals after the real estate crash.
1898: Our Last Men in the Philippines
6.5/10
The Philippines, 1898. Fifty Spanish soldiers arrive in the small village of Baler to rebuild an outpost. Although the war against the Filipinos and their American allies is almost lost, as is the Spanish Empire, the garrison will endure a cruel siege for eleven months. They will be the last to surrender.
Nothing in Return
6.5/10
One summer, Dario flees the hellish environment of his home. Luismi, unconditional friend, a poor devil with pretensions of winning, and Antonia, an old woman who collects abandoned his motorcar furniture, become his new family. Three generations living together in a city too big to be alone.
Some Time Later
5.7/10
Planet Earth, 9177. The remains of humankind live in a post-apocalyptic environment divided into only two social classes: the ruling king and the oligarchs who inhabit the Representative Building and the poor of the world who hardly survive in the slums built around it. (Sequel to “Dawn Breaks, Which Is No Small Thing,” 1989.)
