The best Miguel Borges’s drama movies
If you love cinema, you will share this ranking of the best Miguel Borges’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Miguel Borges.
Lines of Wellington
6/10
Passionate romance, brutal treachery, and selfless nobility are set against the background of Napoleon’s 1810 invasion of Portugal.
Carga
5.2/10
A lorry, a road and an unpredictable destiny, all intersecting in a human trafficking network. Caught up in this web, Viktoriya has only one chance: fight to survive.
Veneno Cura
5.7/10
In oPorto there is a club, Imperatriz, where everything is permitted. A moment in which all intersect in the dark night.
Parque Mayer
7.1/10
Parque Mayer was the park off all the emotions and amusements in the 1930' s. Under the dictatorship of Oliveira Salazar and his police, many people came to have fun in its theaters attending the portuguese kind of play called 'revista'. A writer called Mario Pintor (paintor) is writing a play in which a new actress (Deolinda) will star as the main role, while an already famous actor named Eduardo tries to seduce this recent arrival.
Come and Go
6.9/10
João Vuvu, lives alone in a house that requires regeneration but due to being alone he is unable to do the work. On his son's release from prison and João's ensuing deception triggers a series of somber events.
Soldier Millions
6.3/10
A Portuguese soldier, who got stranded from his team during the La Lys battle, struggles by himself through dozens of German offensives so he can guarantee the safety of his companions.
A Shot in the Dark
6.2/10
A baby is kidnapped in a Brazilian airport. Years later, the mother lives in Lisbon and works in a strip-tease bar so she can survive. When she is fired, she joins a gang of bank robbers...
Two Brothers, My Sister
7/10
This dark and intense drama follows the slow and painful destruction of a young, passive woman as she watches her family fall apart. Maria is the shy and dutiful daughter upon whose shoulders the family traumas have fallen. In addition to a regular job she cooks, cleans, and studies. Her parents offer no assistance as her father is blind, with a tendency towards violence when drinking. His wife, the focus of his violence is terribly unhappy. After a particularly brutal beating, Maria's brothers rise up against the father and end up leaving the home. It is up to Maria to try to bring the factions together. Maria's pressures increase after she calmly stabs her boss during an attempted rape, and then copes with her mother's suicide.
Shadow
6.1/10
Years after her son's disappearance, a mother keeps trying to find him after an abduction that justice cannot solve while she is moving in a universe that wants to force her to mourn a child that she believes is still alive.
The Domain
6.8/10
The chronicle of a Portuguese family that owns one of the largest estates in Europe, on the south bank of the River Tagus. The Domain delves deeply into the secrets of their homestead, portraying the historical, political, economic and social life of Portugal, since the 1940's to these days.
Terra Nova
7.1/10
Inspired by Bernardo Santareno's “The Lugger” and “In the Seas of the End of the World”, this is the story of a captain of a codfish lugger, fishing in the banks of the Newfoundland who decide to risk sailing to Greenland in search of more fish. Along the way, he has to face storms, crew revolt and deal with the best and the worst of humanity when tested in extreme circumstances.
Mosquito
6.8/10
Dreaming of great adventures and of standing up for his homeland, a young Portuguese man enlists in the army during World War I and is sent to the front line in Mozambique, Africa. Left behind by his platoon, he sets out on a grueling trek across the mystic Makua native land, walking for over a thousand kilometers, in search of his dream.
The Dead Queen
6.1/10
Inspired on the true events of the Portuguese king Don Pedro (14th Century) which unburied his mistress to make her queen after dead. This film tells the story of Pedro, a man admitted to a psychiatric hospital for traveling by car with the corpse of his beloved, recalling simultaneously three different lives: one from the past, another from nowadays and another one from an distopic future.
Uma Vida À Espera
6.2/10
The story of a man. Maybe two. A father who leaves home taking nothing with him but the mailbox and a suitcase. He sits on a garden bench, on the street, waiting for a son's answer. Every day he sends him a letter and every day he hopes to get a letter back. Every day he combs his hair, puts a tie on, and shaves to be ready to receive that letter by the time the postman passes by.
Antonio, a boy in Lisbon
7.5/10
A boy in Lisbon, in this Lisbon in permanent renovation.
Ruth
6.3/10
This is the story of a young Mozambican footballer called Eusébio, a gifted athlete destined to great achievements, coveted by rival clubs, Sporting and Benfica, which ends up hiring him. Blackmail, kidnapping attempts, ministers involved, press hysteria and huge money offers make the story of this football transfer into a saga evolving between the two continents. It ends up when the legend begins: with Eusébio’s first match at the Benfica Stadium.
Water and Salt
5.4/10
Ana lives in a little village by the sea, with her husband and daughter. He decides to leave for a few days. That seems to be the ideal solution, because Ana needs to finish a work she has been doing for a long time. But her concentration seems threatened when she starts doing her daily walks by the village and the beach: she saves a stranger from death in the sea, meets young Alexandre and Emilia, and her friend Vera turns up in her house. And then, everything changes…
Pára-me de Repente o Pensamento
8.3/10
A cup of coffee, a cigarette. A coin, another cup of coffee. Patients roam the halls. They walk alone. Waiting. Another smoke, a burning cigarette. Therapies that appeal to the senses. Routines that pull them back to reality. It's life repeating itself at psychiatric hospital spaces'. Lucidity and madness live together. From the outside world comes an actor in search of his character for a theatre play, diving into the inner world of schizophrenia. Patients are part of the creation of the character. Amidst the haze, the actor finds a poem by Ângelo de Lima, an alienated. The theatre character is born. Cinema documents it.
Snow White
4.9/10
Monteiro moved far away from the visual opulence defined by his earlier films with his inspired adaptation of radical Swiss writer Robert Walser’s anti-fairy tale. Carefully restricting the image track, Monteiro maintains an almost totally black screen in order to focus instead on the voices of Snow White, the Prince, the Queen and the Hunter, engaged in an extended debate about love, free will and the events leading up to the fateful attempt on the maiden’s life. Despite its visual austerity, Snow White is haunted by the arresting images with which it begins – infamous black-and-white photographs of Walser lying dead in the snow after his heart attack outside a Swiss asylum at the age of seventy-eight, a strange realization of the “death of the author” so central to postmodern literary criticism.
Black Heart
7.4/10
A couple looks to mend their relationship and build a new home in the Azores.
