The best Miguel Borges’s documentary movies

Miguel Borges

Miguel Borges

If you love cinema, you will share this ranking of the best Miguel Borges’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Miguel Borges.

Ainda Não Acabámos: Como Se Fosse Uma Carta

Ainda Não Acabámos: Como Se Fosse Uma Carta
A walk for half a century, yes, a letter perhaps. Travels in my life, I could call it, which I like Garrett so much. A traveling as he would like, a loose story, memories, projects, meetings. Also because, since 1995, I have done several portraits of artists (Palolo, Bravo, Lapa, Skapinakis, Bartolomeu, Angelo, Sena, Ana Vieira and I prepare Sofia Areal and Fernando Lemos), I started to think that this is my life, these meetings , see, hear, cut, show, tease. I want, with this film continue to show what I see. [Jorge Silva Melo]

A Baleia Branca - Uma Ideia de Deus

A Baleia Branca - Uma Ideia de Deus
Follows the creation of a stage play adaptation of "Moby Dick".

Manual Of Evasion LX94

Manual Of Evasion LX94
7.1/10
  • Genre: Documentary
  • Release: 16/09/1994
  • Character: Himself
“Manual of Evasion LX94” is a thought-provoking Dadaist film about time by the Portuguese director Edgar Pêra. It was shot in Lisbon in 1994 and stars Terence McKenna, Robert Anton Wilson and Rudy Rucker. Time is explored from many unusual angles, while Pêra fills the screen with a wide variety of bizarre and mind-warping imagery.

The Amazed Spectator

The Amazed Spectator
6.5/10
  • Genre: Documentary
  • Release: 29/01/2016
  • Character: Spectator
A kino-investigation about spectatorship, a continuous conversation between different kinds of spectators: which one is more cinema: Citizen Kane on a mobile phone or a football game projected in a cinema theatre? What is the cinema of uncertainty? How many kinds of amazement exist? Does fear and belief precede amazement? What are the rights and duties of the spectator? Is the essay film a manifesto against voyeurism? Should spectators be paid? What amazes the spectator of this day and age?

Pára-me de Repente o Pensamento

Pára-me de Repente o Pensamento
8.3/10
A cup of coffee, a cigarette. A coin, another cup of coffee. Patients roam the halls. They walk alone. Waiting. Another smoke, a burning cigarette. Therapies that appeal to the senses. Routines that pull them back to reality. It's life repeating itself at psychiatric hospital spaces'. Lucidity and madness live together. From the outside world comes an actor in search of his character for a theatre play, diving into the inner world of schizophrenia. Patients are part of the creation of the character. Amidst the haze, the actor finds a poem by Ângelo de Lima, an alienated. The theatre character is born. Cinema documents it.

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