The best Midoriko Kimura’s comedy movies

Two teenage best pals attracted to the same boy end up scrambling his life after he walks into a door and is knocked unconscious.

The Yorozuya gang returns to protect the country's shogun when the Shinsengumi police force finds itself in a crisis.

Tetsuko "Alice" Arisugawa has just moved to a new house with her recently divorced mother and enrolled at a school where a strange rumor lingers among the students about "Judas," who is said to have been murdered over a year before. She is told that if anybody knows his fate it would be Hana Arai, the recluse in the house next door who has been unable to bring herself to attend class since "Judas" disappeared.

The story follows a Roman architect named Lucius, who is having trouble coming up with ideas. One day, he discovers a hidden tunnel underneath a spa that leads him to a modern Japanese bath house. Inspired by the innovations found there, he creates his own spa, Roma Thermae, bringing in the modern ideas to his time.

In ancient Rome, bathhouse architect Lucius (Hiroshi Abe) becomes famous with designing the original "thermae" (bathhouse). He receives an order to build a thermae in the colosseum to help gladiators recover from their wounds, but faces difficulties. Thus, Lucius travels again to modern day Japan through the time slip. He meets Manami (Aya Ueto) again, who is now a reporter for a magazine which covers bathroom. With the help of the flat face Japanese tribe, Lucius again designs a new thermae. Meanwhile, Emperor Hadrian (Masachika Ichimura) wants to keep the peace with the thermae, but the Senate wants to extend the land by using force. Emperor Hadrian and the Senate now have a confrontation and Rome becomes divided.

Ginko’s younger brother Tetsuro, a failed comedian, is the oddball of the family. Embarrassing, loud and plain inappropriate at times causes Ginko to disown him. The two reunite when she discovers Tetsuro is terminally ill. Tetsuro’s impending death marks the beginning of love and toleration.

Kakekomi tells the stories of Edo women in the 1800s that escape abusive husbands and lovers by taking refuge in Tokeiji, a monastery in Kamakura.

Shangri-La (Kin’yu hametsu Nippon: Togenkyo no hito-bito) follows the lives of a group of homeless people in Japan who run into a man who nearly commits suicide and decide to help him out of his financial troubles. Using their various ingenious resources they embark on a complex scheme to blackmail a crooked businessman, whose bankruptcy claim has put people out of work. It’s a fun romp as these seemingly homeless people manage to outsmart the very people who cast them from society.

A university student finds himself wrapped up in the bizarre world of his next door neighbor, learning about his history and relationship with a girl who changed his life.

Hitoshi Nagano, who works at an electronics store, picks up a cellphone left behind by a customer and goes about a scam. He calls the person's mother and pretends to be her son. He then gets the mother to transfer money to his bank account. Soon, Hitoshi gets a lot more than he bargained for.

When a gold ingot and a severed human head are discovered in a small provincial town, the rush to solve the curious case wavers between tragic and darkly humorous.

Yukio Haruyama (Riku Ohnishi) is an elementary school student. He has an uncle (Ryuhei Matsuda) that teaches philosophy part-time at an university. His uncle leeches off his family. The uncle then goes on a blind date and falls in love with beautiful Eri Inaba. She is a fourth generation Japanese living in Hawaii. Sometime later, Eri goes back to Hawaii to take over a coffee farm left behind by her recently deceased grandmother. Yukio and his uncle travel to Hawaii to see Eri.