The best Michiyo Ookusu’s crime movies
If you love cinema, you will share this ranking of the best Michiyo Ookusu’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Michiyo Ookusu.
Lone Wolf and Cub: Baby Cart in the Land of Demons
7.5/10
In the fifth film of the Lone Wolf and Cub series, Ogami Itto is challenged by five warriors, each has one fifth of Ogami's assassin fee and one fifth of the information he needs to complete his assassination.
Face
6.9/10
'Face' is a fascinating and difficult to categorize movie. Naomi Fujiyama gives an impressive performance (her movie debut) as the frumpy, clumsy and socially retarded Masako who one day strangles the pretty sister who loves to torment her. Masako flees from her home and then goes on a journey, both physically and emotionally, which ranges from everything from rape, earthquakes, learning to ride a bicycle, and working in a karaoke bar.
The Freezing Point
6.9/10
Keizo Tsujiguchi believes his wife Natsue was having an extramarital affair when their child was kidnapped and killed. He believes of her extramarital affair she was unable to watch over their child properly and blames her for their daughter's death. To exact revenge on his wife, he then adopts the killer's child without telling the truth to his wife or their newly adopted child.
Mission: Iron Castle
7.4/10
The Shinobi-no-Mono series was so successful that Daiei Studios dipped into the well one more time, making the best 60′s B&W ninja movie ever seen in the otherwise color-dominated year of 1970. Issei Mori directs Hiroki Matsukata as the reluctant leader of a small band of spies charged with kidnapping a noblewoman from a heavily ninja-proofed castle. The finality of the air slowly began to fill like smoke, and in all that had become dark the loyalty of the Ninja who dared to go shone like light as they entered a world shrouded in mystery. Things do not go as planned in what is possibly the darkest and most fatalistic of the already noir-ish 60′s fare. Both the decade and it’s distinctive style of shinobi cinema went out on a high note with Mission Iron Castle.
