The best Michel Subor’s drama movies
We present our ranking of the best Michel Subor’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Michel Subor.
Jules and Jim
7.7/10
In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim. Both men fall for the impulsive and beautiful Catherine, but it's Jules who wins her hand. After the war, Jim visits Jules, Catherine and their daughter in their Austrian home and discovers not only that his feelings for Catherine are unchanged, but also that they're reciprocated.
Beau Travail
7.3/10
Foreign Legion officer Galoup recalls his once glorious life, training troops in the Gulf of Djibouti. His existence there was happy, strict and regimented, until the arrival of a promising young recruit, Sentain, plants the seeds of jealousy in Galoup's mind.
The French Revolution
7.6/10
A history of the French Revolution from the decision of the king to convene the Etats-Generaux in 1789 in order to deal with France's debt problem. The first part of the movie tells the story from 1789 until August 10, 1792 (when the King Louis XVI lost all his authority and was put in prison). The second part carries the story through the end of the terror in 1794, including the deaths by guillotine of Louis XVI, Marie-Antoinette, Danton, and Desmoulins.
Topaz
6.2/10
Copenhagen, Denmark, 1962. When a high-ranking Soviet official decides to change sides, a French intelligence agent is caught up in a cold, silent and bloody spy war in which his own family will play a decisive role.
Godard Mon Amour
6.6/10
In 1967, during the making of “La Chinoise,” film director Jean-Luc Godard falls in love with 19-year-old actress Anne Wiazemsky and marries her.
Bastards
6.1/10
Marco returns to Paris after his brother-in-law's suicide, where he targets the man his sister believes caused the tragedy - though he is ill-prepared for her secrets as they quickly muddy the waters.
Fidelity
5.6/10
Clélia is a very attractive photographer starting a new job for a sensationalist newspaper. She soon becomes involved with three very different men: Cléve, a middle aged books editor, Nemo, a mysterious photographer and Rupert McRoi, the owner of the broadcasting and tabloid company where she works.
Le Petit Soldat
7.1/10
During the Algerian war for independence from France, a young Frenchman living in Geneva who belongs to a right-wing terrorist group and a young woman who belongs to a left-wing terrorist group meet and fall in love. Complications ensue when the man is suspected by the members of his terrorist group of being a double agent.
The Intruder
6.7/10
An emotionally cold man leaves the safety of his Alpine home to seek a heart transplant and an estranged son.
White Material
6.9/10
Amidst turmoil and racial conflict in a Francophone African state, a white French woman fights for her coffee crop, her family and ultimately for her life.
Sadistic Hallucinations
5.1/10
In a mysterious French castle dark meetings and apparitions happen, seasoned by nauseating erotic menages. The involvement frantically increases up to the amazing epilogue.
Wild Innocence
7/10
A movie director does a new film against heroin consumption, and the producers are heroin dealers.
Anatomy of a Marriage: My Days with Françoise
7.1/10
The story of the couple from the very first meeting to break up told from a view of a woman, Francoise. The film shares the same plot with "Jean-Marc ou La vie conjugale", that tells the same story from another perspective.
Anatomy of a Marriage: My Days with Jean-Marc
7.2/10
The story of the couple from the very first meeting to break up told from a view of a man, Jean-Marc. The film shares the same plot with "Françoise ou La vie conjugale", that tells the same story from another perspective.
Sunday Encounter
6/10
Jean Brevent still did not understand the departure of his wife, Danielle Darieux. It's been five years, but he still can't forget her. In spite of a work of writer originator in a newspaper, in which it tried to be invested completely, time did not make its work. One day, by chance, he meets her in the bus...
À nous deux, Paris!
