The best Michael Feast’s drama movies
Today we present the best Michael Feast’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Michael Feast’s movies.
Sleepy Hollow
7.3/10
New York detective Ichabod Crane is sent to Sleepy Hollow to investigate a series of mysterious deaths in which the victims are found beheaded. Locals believe the culprit to be none other than the legendary Headless Horseman.
Velvet Goldmine
6.9/10
Almost a decade has elapsed since Bowiesque glam-rock superstar Brian Slade escaped the spotlight of the London scene. Now, investigative journalist Arthur Stuart is on assignment to uncover the truth behind the enigmatic Slade. Stuart, himself forged by the music of the 1970s, explores the larger-than-life stars who were once his idols and what has become of them since the turn of the new decade.
McVicar
6.7/10
John McVicar was a London Bad Boy. he graduated to armed bank robbery and was Britain's "Public Enemy No. 1". He was captured and put into a high security prison. Will even the highest security prison be able to hold him? This is the true story of his life, his criminal exploits and his eventual rehabilitation.
Brother Sun, Sister Moon
7.2/10
This is a dramatization of events in the life of St. Francis of Assisi from before his conversion experience through his audience with the pope, including his friendship with St. Clare.
The Tribe
5.8/10
Property developer Jamie has to evict some weird, post-modern hippies from a building. But they slowly drag him into their dark underworld of bizarre rituals and dangerous liaisons.
Macbeth
7.5/10
Part of the PBS Great Performance Series. Renowned Shakespearean actor Patrick Stewart features as the eponymous anti-hero in this Soviet-era adaptation of one of Shakespeare's darkest and most powerful tragedies.
Sinking of the Lusitania
6.9/10
The story of the sinking of the Lusitania in 1915 after she was torpedoed off the Irish coast. The story is told from the perspective of Prof. Holbourn (a passenger), the German U-boat and its captain and crew, and other passengers, crew and Admiralty staff
Private Road
6.3/10
Receptionist Anne’s new relationship with nascent writer Peter is opening her eyes to a new lifestyle, one far removed from her comfortable middle-class background.
