The best Michael Elphick’s movies on YouTube

Michael Elphick

Michael Elphick

19/09/1946- 07/09/2002
Today we present the best Michael Elphick’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Michael Elphick’s movies.

The Elephant Man

The Elephant Man
8.2/10
  • Genre: DramaHistory
  • Release: 02/10/1980
  • Character: Night Porter
A Victorian surgeon rescues a heavily disfigured man being mistreated by his "owner" as a side-show freak. Behind his monstrous façade, there is revealed a person of great intelligence and sensitivity. Based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London.

Krull

Krull
6.1/10
A prince and a fellowship of companions set out to rescue his bride from a fortress of alien invaders who have arrived on their home planet.

See No Evil

See No Evil
6.6/10
In the English countryside, Sarah Rexton, recently blinded in a horse riding accident, moves in with her uncle's family and gallantly adjusts to her new condition, unaware that a killer stalks them.

O Lucky Man!

O Lucky Man!
7.6/10
This sprawling, surrealist musical serves as an allegory for the pitfalls of capitalism, as it follows the adventures of a young coffee salesman in modern Britain.

Let Him Have It

Let Him Have It
7.1/10
  • Genre: Drama
  • Release: 04/10/1991
  • Character: Prison Officer Jack
In 1950s England, slow-witted Derek Bentley falls in with a group of petty criminals led by Chris Craig, a teenager with a fondness for American gangster films. Chris and Derek's friendship leads to their involvement in the true case which would forever shake England's belief in capital punishment.

Hamlet

Hamlet
7/10
  • Genre: Drama
  • Release: 21/12/1969
  • Character: Captain
Tony Richardson's Hamlet is based on his own stage production. Filmed entirely within the Roundhouse in London (a disused train shed), it is shot almost entirely in close up, focusing the attention on faces and language rather than action.

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