The best Michael Dante’s movies on Apple iTunes
Today we present the best Michael Dante’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Michael Dante’s movies.
Somebody Up There Likes Me
7.5/10
The story of boxer Rocky Graziano's rise from juvenile delinquent to world champ.
Willard
6.2/10
A social misfit, Willard is made fun of by his co-workers, and squeezed out of the company started by his deceased father by his boss. His only friends are a couple of rats he raised at home, Ben and Socrates. However, when one of them is killed at work, he goes on a rampage using his rats to attack those who have been tormenting him.
Seven Thieves
6.5/10
A discredited professor and a sophisticated thief decide to join together and pick a team to pull off one last job--the casino vault in Monte Carlo.
Fort Dobbs
6.8/10
An escaped prisoner helps a mother and her son flee marauding Indians. Director Gordon Douglas' 1958 western stars Clint Walker, Virginia Mayo, Richard Eyer, Brian Keith, Michael Dante and Russ Conway.
Arizona Raiders
5.9/10
Murphy plays an ex-Quantrill's Raider who's released from jail with buddy Cooper to be deputized as Arizona Rangers in order to hunt down the remnant of the gang, rumored to he hiding out in a town "neer dee border" in the words of the loose-lipped saloon dancer. The goons are found hiding in an Indian mission. Murphy and Cooper pretend to want to rejoin the gang, but the bad guys catch on and brutally beat Cooper, who protects Murphy's true sentiments to the death.
Westbound
6.5/10
As the Civil War spills our nation’s blood, Capt. John Hayes (Randolph Scott) fights on a vital but little-known battlefront. He aims to ship gold to Union banks through a small Colorado town, defying Southern sympathizers who aim to stop him. At any cost. As chiseled and bone-lean as its star, Westbound is the sixth of seven Westerns Scott made with director Budd Boetticher, films that – along with the James Stewart-Anthony Mann Westerns – helped remake the genre in the 50s, substituting grit and veracity for white-hat heroics.
