The best Michael Colyar’s movies on Google Play Movies
If you love cinema, you will share this ranking of the best Michael Colyar’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Michael Colyar.
The Princess and the Frog
7.2/10
A waitress, desperate to fulfill her dreams as a restaurant owner, is set on a journey to turn a frog prince back into a human being, but she has to face the same problem after she kisses him.
Norbit
4.2/10
A mild-mannered guy who is engaged to a monstrous woman meets the woman of his dreams, and schemes to find a way to be with her.
Hot Shots! Part Deux
6.6/10
Topper Harley is found to be working as an odd-job-man in a monastery. The CIA want him to lead a rescue mission into Iraq, to rescue the last rescue team, who went in to rescue the last rescue team—who went in to rescue hostages left behind after Desert Storm.
Poetic Justice
6.1/10
In this film, we see the world through the eyes of main character Justice, a young African-American poet. A mail carrier invites a few friends along for a long overnight delivery run.
What's Love Got to Do with It
7.3/10
What's Love Got to Do with It is a 1993 American biographical film directed by Brian Gibson, based on the life of Tina Turner. The film stars Angela Bassett as Tina Turner and Laurence Fishburne as Ike Turner. The screenplay was adapted by Kate Lanier from the book I, Tina co-written by Turner with Kurt Loder. Both Ike and Tina assigned rights to Lanier for their lives to be dramatized in the film. The film's soundtrack featured the hit song "I Don't Wanna Fight", which went to number one in seven countries.
The Longshots
5.6/10
The true story of Jasmine Plummer who, at the age of eleven, became the first female to play in Pop Warner football tournament in its 56-year history.
Hollywood Shuffle
6.9/10
Aspiring actor and hot-dog stand employee Bobby Taylor catches the ire of his grandmother for auditioning for a role in the regrettably titled exploitation film "Jivetime Jimmy's Revenge." When Tinseltown Studios casts Taylor in the title role, he has a series of conflicted dreams satirizing African-American stereotypes in Hollywood, and must reconcile his career goals with his desire to remain a positive role model for his little brother.
