The best Michael C. Hall’s drama movies
Today we present the best Michael C. Hall’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Michael C. Hall’s movies.
Christine
6.9/10
The story of Christine Chubbuck, a 1970s TV reporter struggling with depression and professional frustrations as she tries to advance her career.
John and the Hole
5.2/10
While exploring the neighboring woods, 13-year-old John discovers an unfinished bunker — a deep hole in the ground. Seemingly without provocation, he drugs his affluent parents and older sister and drags their unconscious bodies into the bunker, where he holds them captive. As they anxiously wait for John to free them from the hole, the boy returns home, where he can finally do what he wants.
Kill Your Darlings
6.4/10
A murder in 1944 draws together the great poets of the beat generation: Allen Ginsberg, Jack Kerouac and William Burroughs.
Mark Felt: The Man Who Brought Down the White House
6.4/10
The story of Mark Felt, who under the name "Deep Throat" helped journalists Bob Woodward and Carl Bernstein uncover the Watergate scandal in 1974.
The Report
7.2/10
The story of Daniel Jones, lead investigator for the US Senate’s sweeping study into the CIA's Detention and Interrogation Program, which was found to be brutal, immoral and ineffective. With the truth at stake, Jones battled tirelessly to make public what many in power sought to keep hidden.
Cold in July
6.7/10
While investigating noises in his house one balmy Texas night in 1989, Richard Dane puts a bullet in the brain of a low-life burglar. Although he’s hailed as a small-town hero, Dane soon finds himself fearing for his family’s safety when Freddy’s ex-con father rolls into town, hell-bent on revenge.
Bereft
5.9/10
A young Vermont widow is haunted by the memory of her dead husband, while trying to date again.
The Trouble with Bliss
5.3/10
35-year-old Morris Bliss (Michael C. Hall) is clamped in the jaws of New York City inertia: he wants to travel but has no money; he needs a job but has no prospects; he still shares an apartment with his widowed father; and the premature death of his mother has left him emotionally walled up. When he finds himself wrapped up in an awkward relationship with Stephanie (Brie Larson), the 18-year-old daughter of a former classmate, Morris quickly discovers his static life unraveling and opening up in ways that are long overdue.
