The best Mercè Pons’s comedy movies

Mercè Pons

Mercè Pons

01/01/1966 (58 años)
If you love cinema, you will share this ranking of the best Mercè Pons’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Mercè Pons.

Idiot Love

Idiot Love
5.2/10
  • Genre: ComedyDrama
  • Release: 12/11/2004
  • Character: Jordina
Pere Lluc is thirty five and is living an unclear period in his life. He finds out that one of his friends has death 5 months ago and to forget the sorrows he goes out and get drunk and he falls in love.

Km. 0

Km. 0
7/10
Located in Madrid's Plaza del Sol, Km. 0 is the point from which all distances in Spain are measured from the capital. In Km. 0, it is also the meeting point for a gallery of characters. Bored, affluent housewife Marga meets up with gigolo Miguel, who co-habitates with gay Benjamin. Sergio, a soon-to-be-married office clerk who can't wait to lose his virginity, makes the acquaintance of prostitute Tatiana, while gay dancer Bruno meets Maximo. Meanwhile, wannabe director Pedro arranges to meet up with Silvia, an actress who wants to work in musicals directed by Gerardo, and bartender Mario is caught between Amor, who wants to marry him, and her little sister Roma, who is truly in love with him.

Caresses

Caresses
6.4/10
The eroticism exudes in the eleven interconnected stories that recount difficult relationships and violent sexuality

What It's All About

What It's All About
6.3/10
Minimalistic frieze fifteen episodes about human behavior (desire, submission, love, jealousy, wisdom, honesty, sincerity, passion, faith, ...) located between two fantastic stories about the will and doubt.

Souvenir

Souvenir
6/10
  • Genre: Comedy
  • Release: 09/12/1994
  • Character: Secretària Consolat

Valentín

Valentín
6.6/10
  • Genre: ComedyDrama
  • Release: 01/05/2002
  • Character: Laura
A Spanish theatre company is rehearsing Shakespeare in the original style using young men to play the women's roles. Complicating their endeavors is the previously straight director's infatuation the new young man whose charming everyone except the slightly older young man who he's replacing. When the young man on the way out decides to settle the score with the young man on the way up, he draws on what he's learned in the theatre. Enter Iago.

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