The best Melinda Casey’s movies
If you love cinema, you will share this ranking of the best Melinda Casey’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Melinda Casey.
Carrie
7.3/10
Carrie's dreams of adventure in the big city are quickly squashed as she discovers all that awaits her there is a bleak life of grueling and poorly paid factory work—that is, until a traveling salesman named Drouet steps into her life and changes her outlook.
Home Town Story
5/10
Blake Washburn blames manufacturer MacFarland for his defeat in the race for re-election to the state legislature. He takes over his uncle's newspaper to take on big business as an enemy of the people. Miss Martin works in the "Herald" newspaper office. When tragedy strikes, Blake must re-examine his views.
Billy the Kid Versus Dracula
3.8/10
Dracula travels to the American West, intent on making a beautiful ranch owner his next victim. Her fiance, outlaw Billy the Kid, finds out about it and rushes to save her.
The Green-Eyed Blonde
5.7/10
Blacklisted screenwriter Dalton Trumbo (working under the pseudonym “Sally Stubblefield”) tells a rough-edged tale of life inside a 1950s women’s reformatory. Set in the Martha Washington School for Girls—an institute for wayward teenagers and unwed mothers—THE GREEN-EYED BLONDE tackles a range of topical social issues as the inmates band together to help out one of their own when she refuses to give up her child.
Wiretapper
5.6/10
A cash-strapped electrical engineer with a criminal past vows to go straight when he marries his longtime girlfriend, but he has second thoughts when the mob offers big money for his wiretapping services.
Again Pioneers
6.3/10
Citizens of Fairview are outraged when they learn children from the "Patch", a squalid migrant camp on the outskirts of town, will soon be attending Fairview's school.
Chicago Calling
7.1/10
Bill Cannon (Dan Duryea) loses everything to alcohol: his job, his family, his self-respect. Soon after his wife and daughter leave him, he receives word his little girl has been injured in a car accident outside Chicago. His wife will call later with news, but Bill’s short the $53 he needs to keep his phone from being disconnected. Filled with anguish, he heads out onto the Los Angeles streets to find some way to come up with the cash. As his character encounters expected cruelty and unexpected kindness, Duryea takes what might have been mere melodrama and turns it into a perceptive examination of one shattered soul. The other fine star of this race-against-the-clock programmer is an unglamorous, lunch-bucket L.A. rarely captured on film.
