The best Mélanie Bernier’s movies on Apple iTunes

Mélanie Bernier

Mélanie Bernier

05/01/1985 (39 años)
We present our ranking of the best Mélanie Bernier’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Mélanie Bernier.
Genre:

Delicacy

Delicacy
6.6/10
A French woman mourning over the death of her husband three years prior is courted by a Swedish co-worker.

My Afternoons With Margueritte

My Afternoons With Margueritte
7.2/10
  • Genre: ComedyDrama
  • Release: 02/06/2010
  • Character: Stéphanie
An illiterate and lonely man bonds with an older and well-read woman.

Our Futures

Our Futures
6.1/10
  • Genre: Comedy
  • Release: 22/07/2015
  • Character: Estelle
Yann who is trying, albeit unsuccessfully, to cope with his life generally and especially bereavement decides to look up Thomas, his best friend from high school. Thomas is thee same crazy character as he ever was and between them they cook up a plan to rearrange Yann's birthday party from their high school days and get all their old friends to come along. This means locating their friends and a journey to visit and convince some of them to join in their plan. How their friends have changed, their lives and the revelations provide plenty of humour. But why is his friend Thomas just the same as he ever was ?

Titeuf

Titeuf
5.8/10
Titeuf is a comic series created by Swiss draughtsman Zep (real name Philippe Chapuis) depicting the life of a young boy (the title's namesake Titeuf, "Tootuff" in the English translation) and his vision of the adult world & themes such as love, sex, seduction and mysteries about the girls. In this film, Titeuf (Donald Reignoux) is off on a new comedic adventure! Things get complicated when Nadia (Melanie Bernier) doesn’t invite Titeuf to her birthday party, which is surely the most horrible moment of his life. Before long, Titeuf’s whole life is turned upside down when his parents are nearly deported. Everything continues to spiral out of control even in the midst of Titeuf’s exhaustive attempts to make matters right.

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