The best Mehdi Meskar’s movies

This German musical drama – German if we speak about the production country, and international when it comes to its essence – stars Peter Simonischek, the incredible mature actor who played the lead in Maren Ade’s Toni Erdmann, which became one of the most notable premieres at the Cannes Film Festival in 2016. His character in Crescendo resembles the one he played in Ade’s film, and if in the latter he portrayed a wonderful father to his daughter, the former features him as a father to the entire symphonic orchestra assembled from young Israeli-Palestinian musicians. The conductor tries to turn this potentially volatile ensemble into a professional unit, guided by his own principles of an artistic director – but that doesn’t work – and he has to engage his human feelings towards those young ‘participants’ of someone else’s war. In the end, music – the eternal art – will help them make peace.

Set on the small island of Porto Buio, the traditional live Christmas Nativity scene might not go ahead because the baby who’s always played Jesus has grown up and no new babies have been born on the island in years! With this fundamental tradition on the line, newly elected Mayor Cecco (Claudio Bisio) wants to ask the local Tunisian community to “borrow” one of their children, but there’s conflict between the two communities. Cecco enlists the help of local Islam convert Bilal (Alessandro Gassman) to cross the cultural divide… but both communities are not sure what to make of a baby Jesus that may need his nationality, and even his religion changed!

A romantic drama about a Tunisian man and a Dutch woman who get separated from each other.

Karim, a student from Syria, lives peacefully in Hamburg with Lilly, his pregnant girlfriend. One day, he hears that his brother is imprisoned in the infamous jail in Aleppo. He leaves for Syria to find his brother.

After their mosque is expropriated and turned into a hairdresser by the landlord, a community of Muslims in Venice search for a new location. A young Afghan Imam named Saladin is called to the rescue, but rather than solving the problem, his arrival ends up complicating the situation with a series of absurd consequences and hilarious moments

At eighteen years old, Sarah is subject to a daily rhythm by the violence of his alcoholic father and the needs of Maxime, his autistic brother. She is happy only when she see Nicolas, her boyfriend, and when she reminds her childhood memories. When his father destroyed the world she has built to protecther brother, she takes her freedom and brings Maxime and Nicolas. Hairless, makeup like indians, they escape their life to get a new one.