The best Maxine Audley’s movies on Apple iTunes

Maxine Audley

Maxine Audley

29/04/1923- 23/06/1992
Today we present the best Maxine Audley’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Maxine Audley’s movies.

Dunkirk

Dunkirk
7.1/10
  • Genre: DramaWar
  • Release: 20/03/1958
  • Character: Diana
A British Corporal in France finds himself responsible for the lives of his men when their officer is killed. He has to get them back to Britain somehow. Meanwhile, British civilians are being dragged into the war with Operation Dynamo, the scheme to get the French and British forces back from the Dunkirk beaches. Some come forward to help, others were less willing.

The Vikings

The Vikings
7/10
Einar, brutal son of Ragnar and future heir to his throne, tangles with Eric, a wily slave, for the hand of a beautiful English maiden.

Peeping Tom

Peeping Tom
7.6/10
Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.

The Agony and the Ecstasy

The Agony and the Ecstasy
7.1/10
Charlton Heston stars as Renaissance artist Michelangelo di Lodovico Buonarroti Simoni (6 March 1475 – 18 February 1564), who begrudgingly paints the Sistine Chapel for imperious Pope Julius II in this epic adaptation of Irvine Stone's novel directed by Carol Reed. While the novel covers Michelangelo's life from birth to death, the film focuses on the battle of wills between the perfectionist artist and the impatient Pope who commissions (and eventually commands) him to paint the famed chapel.

Frankenstein Must Be Destroyed

Frankenstein Must Be Destroyed
6.7/10
Blackmailing a young couple to assist with his horrific experiments the Baron, desperate for vital medical data, abducts a man from an insane asylum. On route the abductee dies and the Baron and his assistant transplant his brain into a corpse. The creature is tormented by a trapped soul in an alien shell and, after a visit to his wife who violently rejects his monstrous form, the creature wreaks his revenge on the perpetrator of his misery: Baron Frankenstein.

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