The best Maximilian Gehrlinger’s movies
If you love cinema, you will share this ranking of the best Maximilian Gehrlinger’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Maximilian Gehrlinger.
A Minute’s Silence
7.1/10
The end of a summer, a sleepy fishing port on the Baltic Sea and the beginning of a great feeling that must not be: Shortly before the start of the new school year, the 18-year-old Christian falls in love with his new English teacher Stella Petersen. In a moment of unexpected lightness and freedom, in the dunes and seascape far away from the small town, Stella and Christian discover a shared longing and an attraction to each other, the intensity of which both overwhelmed. But soon after class has begun again, the secret relationship between the young teacher and her pupil threatens the scandal ...
Stumme Schreie
7.1/10
Aufzug
8.2/10
The story is set some time in the past, or maybe some time in the future. Given a time-frame, we would say somewhere between the American moonwalk, and Coca- Cola's serious ambition to turn the moon into an advertising logo. Our central character, the young lift operator, is formed by experience into cynicism, detachment, and apathy. The story builds to its crescendo: of public outrage and state crackdown; the banality of commercial interest and the monumental rape of nature. Set in a large newspaper office, the Lift is a place of relative safety. But floor by floor, with each passenger in his or her tableau, the atmosphere of mayhem seeps in. Finally our young character leaves the situation, far-gone in hopelessness and disinterest.
Boys On Film 16: Possession
6.8/10
Golden boys, teen lust, self-conscious dolls, chance encounters, a vengeful creature, holiday romance, hidden sexuality — Boys On Film celebrates it's (not so) sweet sixteen with an astonishing selection of the latest international gay short films. Volume 16: Possession features ten complete films: Kai Stänicke's "Golden" with Christian Tesch and Maximilian Gehrlinger; Christopher Manning's "Jamie" starring Sebastian Christophers and Raphael Verrion; Kai Stänicke's "B." starring Susanne Bormann and Andreas Jähnert; Blake Mawson's "PYOTR495" starring Alex Ozerov; Charlie Francis's "When A Man Loves A Woman" starring Tommy Jay Brennan, Jemima Spence, and Diane Brooks Webster; Anthony Schatteman's "Follow Me" starring Ezra Fieremans and Maarten Ketels; Jake Graf's "Chance" starring 'ABS' and Clifford Hume; Andrew Keenan-Bolger's "Sign" starring John McGinty and Preston Sadleir; Oliver Mason's "Away With Me" starring Chris Polick and Lee Knight; and "We Could Be Parents" by Björn Elgerd.
Golden
7.2/10
A tale of being different and growing up.
Der Zürich-Krimi: Borchert und der eisige Tod
7.1/10
When Borchert receives an anonymous message that a certain Franz Brosi is innocent, law firm boss Dominique can hardly believe it. After all, Brosi was her first client as a public defender a few years ago and had actually confessed. The two are investigating the case.
Geschlechterkrise
7.8/10
Pace
A man tries to keep pace in front of the hand of a clock, turning ever faster, until he's overtaken by time itself. PACE is an animated short film exploring our modern relationship with time and today's constant feeling of not having enough of it.
Hard & Ugly – eine Liebesgeschichte
6.7/10
