The best Mauricio Pesutic’s movies
We present our ranking of the best Mauricio Pesutic’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Mauricio Pesutic.
Bring Me the Head of the Machine Gun Woman
5.4/10
A powerful Argentine gangster uses everything in his power to stop the woman that wants to kill him, a sexy mercenary known as "the machine gun woman". The staggering sum of cash he offers for her head sets in motion an army of hitmen. And also, by accident, bursts in the life of naïve DJ Santiago, a common youth that will have to steel his guts against the underworld, and above all, survive the irresistible - and bloodthirsty - Machine Gun Woman.
Mirageman
6.4/10
After being brutally assaulted, an incident which also saw the death of his parents and the rape of his younger brother (which mentally scarred him to the point of having to be institutionalized), Maco Gutierrez has devoted his life to fitness and practicing martial arts to ensure his safety in the future.
Mandrill
5.7/10
Mandrill is a high-level assassin whose parents many years ago were slaughtered in cold blood by a ruthless drug lord. Now he finds himself finally in a position to get his revenge. But since it falls in love precisely in the pretty daughter of the ruthless killer. Mandrill now faces the most serious decision of his life ...
Caluga o Menta
5.9/10
Niki and his friends are members of the marginalised underclass living on the outskirts of Santiago. During Chile's transition from dictatorship to democracy (1988-1990), they forge a path from drug- and drink-fuelled nihilism and petty crime into the world of market-driven illegality and Niki begins a seemingly predestined relationship with the middle-class "loca", Manuela. Memorable episodes and characters, quotable dialogue and a mix of earthy national portrait and surrealistic flourish make this one of the key Chilean films of the Nineties.
Fragmentos urbanos
6.2/10
Anthology film composed of six standalone shorts.
Maknum González
7.3/10
An aging criminal is double crossed by his partner and sentenced to 15 years in prison. After escaping he seeks revenge.
Coronation
7.1/10
The elderly heir of a formerly wealthy and respected Chilean family, Andres, suffers from decadence and solitude. He hires young Estela in order to look after his tiranic and almost crazy grandmother. The differences in class and age don't stop Andres from courting Estela, whose fiancé Mario tries to make some money with the passions of his well-off rival. The suffocating atmosphere of the run-down mansion in the outskirts of Santiago represents the deterioration of the bourgeoisie, and sets the scene for the total collapse of Andres.
The Wandering Soap Opera
6.5/10
The film revolves around the concept of soap opera. Its structure is based on the assumption that Chilean reality does not exist, but rather is an ensemble of soap operas.
Toro Loco: Bloodthirsty
5.5/10
A homeless man wanders the lands in search of revenge for the murder of his son at the hands of an unknown gang. Upon arriving in a new town he finds himself trapped in a city drowning in chaos, its people firmly in the grasp of a ruthless crime boss peddling the mind-bending drug, "El Ultimo Aire." This man is a legend, a hit man, the killer of killers and the people call him "Toro Loco." He fights punks, crack-heads and tough guys with his trademark shooter, a Smith & Wesson 34-1, but you take that away from him and it doesn't matter. Toro Loco has another deadly weapon: his hands! Toro Loco is here and the first to die are the fucking lucky ones!
Rojo: La película
4.2/10
A Chilean talent show in the mold of "American Idol," "Rojo" became a huge hit the moment it hit the airwaves. This comic series puts a fictional spin on all the backstage drama: the backstabbing, the ruthless competition and the passionate abandon. Further blurring the line between fantasy and reality, several of the show's big stars -- including Monserrat Bustamante, Mario Guerrero and Yamna Lobos -- appear as pseudo versions of themselves.
The Photographer
5.7/10
In 1962, a photographer working for a crime reports newspaper in Valparaiso, Chile, is obsessed with creating a photo novel that will revolutionize the art world. Helped by its neighbors, humiliated by their producers, but determined to make his ambitious project a reality, the photographer will betray -one after another- their unusual theories, neighbors, colleagues, their love and finally himself.
Todo por nada
2/10
A low-income and young supermarket promoter wants to climb positions in the world of television and advertising. Advised by a friend, the girl begins to look for opportunities hooking up with to as many influential men as she can: a successful publicist, a young photographer, a television animator and a manager top the list of sexually favored stars by the promiscuous promoter. The rest is an endless repetition of sneaky and farces, all about denouncing the corruption and superficiality of the television medium
