The best Maurice Garrel’s movies

Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He meets an air hostess, Nicole. They start a love affair, which Pierre is hiding, but he cannot stand staying away from her.

Beautiful violin virtuoso Camille has two obsessions: the music of Ravel, and a friend of her husband's who crafts violins. But his heart seems to be as cold as her playing is passionate.

Six months before his retirement from the criminal police, inspector Joss finds his colleague Gouvion dead, in a poorly faked suicide attempt. Joss loses his temper, and investigates on his own, which leads him through the bas-fond of Paris...

Paul reflects on the summer he met Angèle and Frédéric as he watches his friend being laid to rest.

Julie Kohler is prevented from suicide by her mother. She leaves the town. She will track down, charm and kill five men who do not know her. What is her goal? What is her purpose?

The tragic story of a young orphan girl who is befriended by an innocent but emotionally disabled veteran of the French Indochina War.

After his father is killed in a plane crash, Bart Cordell returns back home to France to claim his inheritance: to lead the industrial empire his father built. But when a prostitute tries to set him up for a drug smuggling charge, he is forced to accept that his father may have been assassinated and that the killers are out to get him as well...

Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev's A MONTH IN THE COUNTRY. Denis, the director, admires her greatly and promises he'll make her happy on stage - she will shine. But things don't go to plan. Denis introduces Marcelline to his assistant, Nathalie. The two women were at drama school together twenty years earlier. Nathalie tells her she had to give up acting: she has a husband and children. Marcelline and Nathalie look at each other as if in a mirror, each seeing in the other the life she doesn't have, the dreams she cannot bear to abandon. Their meeting is the first in a series of tremors that will turn Marcelline's life upside down.

Artemisia Gentileschi (1593-1653) was one of the first well-known female painters. The movie tells the story of her youth, when she was guided and protected by her father, the painter Orazio Gentileschi. Her professional curiosity about the male anatomy, forbidden for her eyes, led her to the knowledge of sexual pleasure. But she was also well known because in 1612 she had to appear in a courtroom because her teacher, Agostino Tassi, was suspected of raping her. She tried to protect him, but was put in the thumb screws...

Nora Cotterelle, a woman in her 30s is caring for her ill father, Louis Jenssens. While Nora tries to present a facade that all is well with her life, she is twice divorced and has a son, Elias, whose father is dead. Nora's present relationship is not going well, and she is soon to marry a businessman, while Elias is becoming increasingly withdrawn. A parallel storyline follows her former lover and second husband, Ismaël Vuillard, a musician, with whom she had lived for seven years. He is given to strange behaviour, and as a result he has been committed to a mental hospital, from which he is planning to escape. Nora learns that her father's digestive problems are actually cancer, and facing her father's death, Nora desperately seeks out Ismaël to ask that he reconnect with Elias, but he has mixed feelings about adopting her son. Moreover, he has met Arielle, another patient.

A French resistance group liberates some German prisoners. Turns out one of them is a spy.

In 1964, Henri-Georges Clouzot's production of L'Enfer came to a halt. Despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed. This documentary presents Inferno's incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot's original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot's own notes.

There is an author who has been dumped by his girlfriend and has no inspiration for a next novel. In an attempt to find a solution to both crises, he, along with his publisher friend, decides to seduce a young woman with the singular purpose of keeping a diary of the seduction and then dump her before publishing the book about it. Unfortunately he falls in love with her.

1968 and 1969 in Paris: during and after the student and trade union revolt. François is 20, a poet, dodging military service. He takes to the barricades, but won't throw a Molotov cocktail at the police. He smokes opium and talks about revolution with his friend, Antoine, who has an inheritance and a flat where François can stay. François meets Lilie, a sculptor who works at a foundry to support herself. They fall in love. A year passes; François continues to write, talk, smoke, and be with Lilie. Opportunities come to Lilie: what will she and François do?

Thomas has been estranged from his brother Luc for several years, due in part to his difficulties in dealing with Luc's homosexuality. But when Thomas is diagnosed with a rare blood disease, which is difficult to treat and impossible to cure, he decides he wants to bring Luc back into his life. The brothers soon become inseparable, and their new relationship begins to alienate their significant others.

A movie director does a new film against heroin consumption, and the producers are heroin dealers.