The best Matthias Weidenhöfer’s drama movies
If you love cinema, you will share this ranking of the best Matthias Weidenhöfer’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Matthias Weidenhöfer.
The People vs. Fritz Bauer
7.1/10
It is the late 1950s. Flourishing under the economic miracle, Germany grows increasingly apathetic about confronting the horrors of its recent past. Nevertheless, Fritz Bauer doggedly devotes his energies to bringing the Third Reich to justice. One day Bauer receives a letter from Argentina, written by a man who is certain that his daughter is dating the son of Adolph Eichmann. Excited by the promising lead, and mistrustful of a corrupt judiciary system where Nazis still lurk, Bauer journeys to Jerusalem to seek alliance with Mossad, the Israeli secret service. To do so is treason — yet committing treason is the only way Bauer can serve his country.
Cracks in the Shell
7/10
An insecure drama student is given the lead role in a play by her director, but the role she is supposed to play is at odds with her real personality. The fusion of her stage persona and her real life persona becomes a psychological tour de force for the young woman, changing her private life.
Subs
6.3/10
A plastic surgeon publishes an ad searching for a slave. Even if he meant it in an ironic way and is really looking for a housemaid, a lot of SM-subs are showing up in front of his house the next day...
Der Hafenpastor und das Blaue vom Himmel
6.2/10
In the third film of the successful series, Jan Fedder is back as a Pastor Book with body and soul. To look after human destinies in St. Pauli, he sees as his life's task, no matter what milieu they come from or what confession they belong. The fallen and stranded people challenge him this time especially.
Men Show Movies & Women Their Breasts
5.5/10
Isabell Suba, ambitious up-and-coming director, has made it – one of her short films is in the line-up of the most important film festival of the world! When she arrives at the 65. Cannes film festival, she has face the accomplished facts: David, her incompetent producer, has kindly sublet their cosy joint apartment to other festival guests. The other bad news: There is not a single movie in the competition directed by a woman! This affirms Isabell’s qualms: The film business demands women to gear up instead of dressing up low cut! Moreover, the chauvinistic remarks of her comrade-in-arms David who feels comfortable around the clichéd gender stereotypes from the Stone Age seemingly prevalent in Cannes infuriate Isabell. As if this wasn’t enough already, a shattering feedback on her new film project by a potential investor finally causes her to doubt herself. Before she can live her dream up at the Olympus of film business, she must first find out who really believes in her.
