The best Matt Clark’s western movies

After avenging his family's brutal murder, Wales is pursued by a pack of soldiers. He prefers to travel alone, but ragtag outcasts are drawn to him - and Wales can't bring himself to leave them unprotected.

As a cowardly farmer begins to fall for the mysterious new woman in town, he must put his new-found courage to the test when her husband, a notorious gun-slinger, announces his arrival.

A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians when he proves to be the match of their warriors in one-to-one combat on the early frontier.

When his cattlemen abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his cowboys in order to get his herd to market in time to avoid financial disaster. The boys learn to do a man's job under Andersen's tutelage; however, neither Andersen nor the boys know that a gang of cattle thieves is stalking them.

Will Penny, an aging cowpoke, takes a job on a ranch which requires him to ride the line of the property looking for trespassers or, worse, squatters. He finds that his cabin in the high mountains has been appropriated by a woman whose guide to Oregon has deserted her and her son. Too ashamed to kick mother and child out just as the bitter winter of the mountains sets in, he agrees to share the cabin until the spring thaw. But it isn't just the snow that slowly thaws; the lonely man and woman soon forget their mutual hostility and start developing a deep love for one another.

Monte Walsh is an aging cowboy facing the ending days of the Wild West era. As barbed wire and railways steadily eliminate the need for the cowboy, Monte and his friends are left with fewer and fewer options. New work opportunities are available to them, but the freedom of the open prarie is what they long for. Eventually, they all must say goodbye to the lives they knew, and try to make a new start.

Young boy leaves the Oklahoma farm to travel with his country musician uncle who is trying out for the Grand Ole Opry. Set during the Great Depression.

Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons to bring down his old friend Billy the Kid.

The gangs of Jesse James and Cole Younger join forces to rob the First National Bank in Northfield, Minnesota, but things do not go as planned.

Outlaw and self-appointed lawmaker, Judge Roy Bean, rules over an empty stretch of the West that gradually grows, under his iron fist, into a thriving town, while dispensing his his own quirky brand of frontier justice upon strangers passing by.

One of Cannon Films' two 1976 Italian-Israeli co-productions starring Lee Van Cleef and Leif Garrett (Gianfranco Parolini's Pistola di Dio was the other), this spaghetti western was actually shot in the Middle East by American director Joseph Manduke. Pop star Garrett plays Tom, a teenager who teams with a black gunfighter named Isaac (Jim Brown) to avenge his family. The culprit was McClain (Van Cleef), a sadistic outlaw who carried out the brutal rape-massacre, but his role is minor, as most of the film deals with Tom's maturation and coming to terms with his feelings. Omnipresent 1970s character actors Glynnis O'Connor and John Marley co-star. If there is anything remarkable about Kid Vengeance, it is Francesco Masi's fine musical score, but the film is otherwise anemic.

A man tricked into enlisting in the Confederate army is later thrown into a hellish stockade on desertion charges. He eventually breaks out of the prison camp, reunites with his old partner and sets out to kill the man who was responsible for his being in the camp in the first place. However, after accidentally killing a Confederate officer, he finds himself pursued by a gang of vicious bounty hunters intent on collecting the reward put up by the dead officer's widow.

When the young Texas Ranger, John Reid, is the sole survivor of an ambush arranged by the militaristic outlaw leader, Butch Cavendich, he is rescued by an old childhood Comanche friend, Tonto. When he recovers from his wounds, he dedicates his life to fighting the evil that Cavendich represents. To this end, John Reid becomes the great masked western hero, The Lone Ranger. With the help of Tonto, the pair go to rescue President Grant when Cavendich takes him hostage.

Broke and in debt, an otherwise honest cowboy gets mixed up in some shady dealings with a crooked rancher.

In 1876 Wyoming, the gun is the only law. And for Duncan and Suzanna McKaskel, newly arrived settlers beset by outlaws, rugged frontiersman Con Vallian is the only hope.

Working as an assistant on a long cattle drive, the young Ben Mockridge contends between his dream of being a cowboy and the harsh truth of the Old West.

Naive Iowa farm boy Lewis Tater dreams of being a famous Western novelist like his hero, Zane Grey. He leaves home to answer a writing correspondence course's ad for on-campus classes, only to discover that the school consists of a row of postboxes at an isolated Nevada train depot. On the run from the con men responsible, Lewis stumbles across "real" cowboys--cowboy actors shooting a movie in the desert. The would-be writer soon finds himself instead acting in Westerns, for the rundown Tumbleweed Productions studio, in Depression-era Hollywood.

A light-hearted view of the Dalton Gang's legendary raid on Coffeyville, Kansas and the years leading up to it as the brothers form themselves into a gang of horse thieves, train and bank robbers with their arch enemy, Detective Will Smith, constantly on their heels.

Brady Hawkes and Billy Montana join forces once again in this new adventure. This time around their goal is to help the Sioux fight the government and get the supplies they need. They also uncover corruption within a government outpost and find themselves in a dangerous position.