The best Mathilde Bisson’s movies
If you love cinema, you will share this ranking of the best Mathilde Bisson’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Mathilde Bisson.
Adieu Monsieur Haffmann
7/10
Paris 1942. François Mercier is an ordinary man who only aspires to start a family with the woman he loves, Blanche. He is also the employee of a talented jeweler, Mr. Haffmann. But faced with the German occupation, the two men will have no other choice but to conclude an agreement whose consequences, over the months, will upset the fate of our three characters.
Too Close to the Sun
6.2/10
A magistrate investigating a fraud case discovers the woman is the biological mother of her adopted child. Instead of recusing herself, the magistrate pursues the case further.
Atomic Age
5.8/10
Two young boys, Victor and Rainer, take the commuter train to spend the evening in Paris. In a nightclub on the banks of the Seine they go from one disappointment to another, from failed chat ups to street brawls. But as they get carried away by the night, they leave the city for the forest. In the silence of the moonlight nature, the desire between the two friends becomes increasingly vibrant. A new day is born from their friendship.
Low Life
5.2/10
A group of young people are organizing. One night, they face the police who came to evacuate an African squat. Carmen meets Hussain, a young afghan poet. Crazy in love, they don’t leave each other. But a curse hangs over the city, papers are carrying death, bodies are falling. Panicked at the idea that he could get arrested, Carmen forbids him to go out, and locks herself with him. Gradually, Hussain get the feeling that she is watching him…
Fleur de cactus
Left Foot Right Foot
6.8/10
The loss of youth and innocence can be played for comedy or tragedy. The stunning black-and-white cinematography and hypnotic electric guitar that fill "Left Foot Right Foot", as portentous as they are beautiful, are a pretty clear indication which side of the coin photographer Germinal Roaux intends to focus on in his first feature.
The Maneater
5.5/10
Jezebel is a nihilistic artist who hides her fragility by living a fast-paced, promiscuous lifestyle. After attending her father's funeral, the sultry temptress finds herself attracted to David, a handsome, earnest young priest. While David wrestles with the earthly desires elicited by this new temptress, jaded Jezebel tries to comprehend his deeply-rooted faith.
Val d'or
6.5/10
Two teenagers meet one Saturday evening to hang out together. While they cross Paris, meetings and disappointments are linked and push them to ask themselves about the feelings they have.
