The best Mathias Wieman’s drama movies
Today we present the best Mathias Wieman’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Mathias Wieman’s movies.
The Blue Light
6.8/10
A young woman, Junta, lives apart from her village and, for her solitude and strangeness, is considered to be a witch; when she comes to the village for one reason or another, the townsfolk chase her away. They feel that she may in some way be responsible for the deaths of several young men of the village, who have felt compelled, one by one, to climb the local mountain - and fall to their deaths - on nights when the moon is full.
Paracelsus
6.8/10
A 1943 German drama film directed by Georg Wilhelm Pabst based on the life of Philippus von Hohenheim (Paracelsus). The film is one of several big nazi era productions with main characters regarded as propaganda-parables to Adolf Hitler (see also Ohm Krüger and Der grosse König).
Anna Favetti
7.9/10
The Girl and the Legend
6.1/10
London, in 1730. Charly, Jim and Ben work hard, with the brave Maud, in a cotton mill to earn a few shillings. They all dream of the wonderful island told by Daniel Defoe. The latter lives in a miserable room. He is disgraced and rejected by his son Tom, a scoundrel who blames his father for losing his position at the Court ...
Königliche Hoheit
6.3/10
An American heiress in Europe falls in love with a German prince, but he is required to marry someone else for reasons of state convenience.
Der letzte Sommer
6.6/10
Träumerei
7.7/10
Love's Carnival
Mensch ohne Namen
6.8/10
Suburban Cabaret
6.8/10
In Vienna of 1913 a young woman coming from vaudeville theatre circles stands before the wedding with a construction draftsman; this must move to the military and sends his bride on the country, so that she cannot be enticed to the stage. However, she does it and gets by an officer's love affair so in confusion that she commits suicide. - This end environment-close and differentiates of produced melodrama was rejected by press and audience vehemently; the new second film end with the rescue of the desperate was supplied later, so that in this version only a bittersweet common melodrama with excellent actors and good photograph was left. In the rental company copy is the second version of the end jointly contain.
Das Herz muß schweigen
7/10
On New Year's Eve 1900, Paul Holzgruber started a new praxis as a radiologist. The young Maximiliane Frey is his assistant and they have worked side by side for years helping people. Holzgruber repeatedly points out the dangers of radiation to Maximiliane, but is silent about the ulcers on his hand and the severe pain they have caused. Maximiliane has gotten to know the widower Axel von Bonin and has fallen in love with him. But then she is diagnosed with incurable cancer. To spare Axel the inevitable grief over her impending death, she leaves him and dedicates what is left her life to medicine.
Die Ehe des Dr. med. Danwitz
6.9/10
Der Schimmelreiter
5.9/10
Freely adapted from Theodor Storm's novella of the same name.
Caroussel of Passion
7.7/10
As Long as You're Near Me
7.2/10
As Long as You're Near Me (German: Solange Du da bist) is a 1953 West German drama film directed by Harald Braun. It was entered into the 1954 Cannes Film Festival.
Wetterleuchten um Maria
5.4/10
Baron Siebenzell employs the young forest ranger Thomas Sebald, to stop the bold poachers he's plagued with in his beautiful mountain forests. Most of the men in the village reject and ridicule Thomas because of his job. Nevertheless he falls in love with the mayor's daughter Maria - not knowing, that her father is the poacher's leader.
Under the Lantern
7.3/10
Else Riedel (Lissy Arna), locked out by her authoritarian father, seeks refuge with her boyfriend Hans. Complications threaten when Hans's roommate Max falls in love with her, but the situation is resolved: the three remain friends, and decide to form a music hall act. They want to ascend, but how? A way out beckons when a theatrical agent named Nevin enters Else’s life. He is played by Hubert von Meyerinck as a slick and oily villain, who oozes refinement; his experience behind bars is waved away with a silk scarf. He is cunning to the point of perfidiousness, but is not completely unsympathetic. He also embodies a new type - the scrounger.
Mata Hari: the Red Dancer
Mata Hari, die rote Tänzerin (English: Mata Hari: The Red Dancer), often shortened on release to Mata Hari, is a 1927 German silent drama film directed by Friedrich Feher and starring Magda Sonja, Wolfgang Zilzer and Fritz Kortner. It depicts the life and death of the German World War I spy Mata Hari. It was the first feature-length portrayal of Hari.
Melodie des Schicksals
6.9/10
Geld und Geist
6.2/10
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