The best Masayuki Mori’s movies
Today we present the best Masayuki Mori’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Masayuki Mori’s movies.
Rashomon
8.2/10
Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.
Ugetsu
8.2/10
In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.
The Men Who Tread on the Tiger's Tail
6.7/10
Yoshitsune Minamoto, disguised with his retinue as monks, must make do with a comical porter as their guide through hostile territory en route to safety.
The Idiot
7.2/10
Kameda, who has been in an asylum on Okinawa, travels to Hokkaido. There he becomes involved with two women, Taeko and Ayako. Taeko comes to love Kameda, but is loved in turn by Akama. When Akama realizes that he will never have Taeko, his thoughts turn to murder, and great tragedy ensues.
Sanshiro Sugata Part Two
6/10
In this government-suggested sequel, Sugata again grows as a judo master, and demonstrates his (and by extension, all Japanese) superiority to the foreign warrior.
When a Woman Ascends the Stairs
8.1/10
Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older. She's of an age when she must choose: to seek marriage (difficult given her tarnished occupation), to be a kept woman, or to borrow money to buy a bar of her own. Each route has dangers, including investors demanding a return on their loans. Keiko has a quiet dignity that attracts men, but are they what they seem? Does she actually have choices?
The Bad Sleep Well
8/10
In this loose adaptation of "Hamlet," illegitimate son Kôichi Nishi climbs to a high position within a Japanese corporation and marries the crippled daughter of company vice president Iwabuchi. At the reception, the wedding cake is a replica of their corporate headquarters, but an aspect of the design reminds the party of the hushed-up death of Nishi's father. It is then that Nishi unleashes his plan to avenge his father's death.
Floating Clouds
7.6/10
A married Japanese forester during WWII is sent to Indochina to manage forests. He meets a young Japanese typist and promises to leave his wife. He doesn't and after the war, she turns up and the affair resumes.
Princess Yang Kwei Fei
7.1/10
In eighth century China, the Emperor is grieving over the death of his wife. The Yang family wants to provide the Emperor with a consort so that they may consolidate their influence over the court. General An Lushan finds a distant relative working in their kitchen whom they groom to present to the Emperor. The Emperor falls in love with her and she becomes the Princess Yang Kwei-fei. The Yangs are then appointed important ministers, though An Lushan is not given the court position he covets. The ministers misuse their power so much that there is a popular revolt against the Yangs, fueled by An Lushan.
Love Letter
7.2/10
A sad and troubled man finds a new job five years after the end of WWII, where he writes love letters for other people.
Bushido: The Cruel Code of the Samurai
7.4/10
After a salary-man's fiancée attempts suicide, he recounts his gruesome family history which saw generations of his ancestors suffer and sacrifice themselves for the sake of their cruel lords.
The Other Woman
7.3/10
In "The Other Woman" the children of a distinguished professor find that the woman they have come to regard as their racy and slightly disreputable Ginza aunt is really their mother.
Zatoichi Goes to the Fire Festival
7.3/10
Zatoichi is mentored by the blind leader of a secret organization as he contends with both the Yakuza and a jealous husband.
Those Who Make Tomorrow
6.5/10
Two sisters, one a dancer and the other a script supervisor at a big movie studio, become embroiled in union activities when a strike is called in sympathy with striking railroad workers, one of whom boards with the sisters and their parents. The girls' father argues with them about their strike, but finds his views changing when he himself loses his job.
Brother and Sister
7.3/10
The eldest daughter of a rural family Mon returns home from Tokyo pregnant after an affair with a college student Kobata, which causes a scandal that will threaten the marriage prospects of the younger sister San, in her cash-strapped family. The ill-tempered eldest brother Inokichi decides to take on the role of disciplinarian, with harrowing results.
Admiral Yamamoto
6.8/10
As Japan joins in a political pact with Nazi Germany and fascist Italy, Admiral Isoroku Yamamoto is appointed supreme commander of the Japanese fleet. With Japan headed inexorably toward war, Yamamoto, despite his misgivings, believes the only possible victory lies in destroying the American fleet by surprise at Pearl Harbor. The attack succeeds, but fails to sink the American carrier fleet. Thus Yamamoto must lead the Japanese navy into war with ever-diminishing likelihood of success.
The Heart
7.4/10
In the dying months of the Meiji era, a sympathetic student befriends a married couple, but soon realizes they share a curiously strained relationship stemming from an unknown incident in their past.
Daughters, Wives and a Mother
7.4/10
This film features a large extended family (and associates) even more extensive than the one portrayed by Ozu in "End of Summer". The central character is Setsuko Hara -- a poised middle-aged woman, whose wealthy (and prestigious) husband dies at the outset of the action, leaving her widowed but holding the proceeds of a million yen insurance policy. Being childless, her former in-laws have no objection to her return to her own family.
Untamed Woman
7.4/10
A woman marries, gives birth to a stillborn child, and divorces, falls in love with a hotel-keeper, only to find herself subordinated to his drive for success, takes up with a tailor who cannot console himself with her strong personality.
The Adulteress
7.2/10
When a married woman has an affair with a young musician, feudal Japanese law requires that both offenders pay with their lives. However, the woman's husband blames himself for his wife's straying and attempts to thwart the law demanding capital punishment.
