The best Masaomi Kondo’s movies

A young boy with a troubled home life becomes "chosen," and he stumbles into the middle of a great war of yōkai (a class of mythological creatures), where he meets a group of friendly yōkai who become his companions through his journey. Now he must fight to protect his friends and free the world of the yōkai from oppression. The yōkai originate in Japanese folklore and range from the cute and silly to the disturbing.

Iuemon is left master less after his master, Lord Asano, attempts to kill the treacherous Lord Kira and out of desperation and due to the extreme poverty he now lives in, poisons his wife Oiwa and marries the daughter of one of Lord Kira's men. This comes back, literally, to haunt him.

Hirosuke, a medical student with almost no recollection of his past, is trapped in an asylum, despite being perfectly sane. After escaping from the loony bin, and being framed for the murder of a circus girl, he spots the photo of a recently deceased man, Genzaburo Komoda, to whom he bears an uncanny resemblance. By pretending to have been resurrected, Hirosuke assumes the dead man's identity, fooling everyone, including Komoda's widow and mistress. Whilst at the Komoda household, Hirosuke recalls memories that convince him to travel to a nearby island, home of Jogoro, the web-fingered father of Genzaburo. Whilst on the island, Hirosuke not only discovers Jogoro's plans to build his 'ideal community' (by transforming perfectly normal humans into hideous freaks), but also the awful truth behind his own identity.

Ryuzo and his 7 former henchmen are all retired yakuza, but they now live as regular old men. One day, Ryuzo becomes the victim of a phishing fraud. He calls his 7 men together to reform their society.

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.

TAJOMARU is the famous 'bandit' of the forest from RASHOMON. Whoever kills Tajomaru inherits his name, status and sword. A royal brother leaves his kingdom to protect the princess he loves, only to find a series of harrowing adventures along the way which lead him back to where he came from, and then disinheriting his past to become the bandit TAJOMARU.

In Kyoto, Mayuko (Haruka Ayase) stands at a crossroad in her life. She's thinking about marriage with her boyfriend Kyoichi (Hiroyuki Hirayama). By an accidental opportunity, Mayuko stays at Honnouji Hotel. There, she meets historical figure Nobunaga Oda (Shinichi Tsutsumi) who is attempting to unify Japan.

The lord of the Oshi fief is killed by his trespassing neighbour, the cruel and despotic Nariatsu, son of the former Shogun. After an investigation, the Oshi clan is blamed for what happened and sentenced to be disbanded. Eleven of the best samurai of the clan refuse the sentence and are willing to give their life for justice.

This is the story of "The Forty-Seven Ronin." Based on historical events in 1701-2, the movie tells the tale of the Asano clan's downfall and the revenge of its former samurai on the perpetrator of the catastrophe. Lord Asano was goaded, or tricked, into drawing his sword inside the Shogun's palace -- a crime which carried the death penalty. The newly installed Shogun was furious at Asano and ordered all his clan's assets seized, meaning some 20,000 samurai and commoners were unemployed and landless at a stroke. Forty-seven of these ronin (masterless samurai) banded together to take attempt revenge on Lord Kira, who had goaded Asano into drawing his sword.

The NPS (National Police Safety Rescue), whose purpose is to catch extreme criminals alive, becomes the center of attention. A sit-in demonstration takes place. Members of the NPS, including Ichigo Kamikura (Osamu Mukai) go to the protest site. Meanwhile, a transport ship is hijacked in the Pacific Ocean.

A former soldier is caught working the black market and sent to prison while his partner escapes and goes on to become a gangster, but their paths cross again as they both fall in love with the same woman.

Sakai is a city near Osaka by the bay famous for its swords in the old days and kitchen knives today. Norio is an antique dealer in the city. Sasuke is a potter in the city. Seventeenth century tea master Sen No Rikyu appears before them one day.

The film follows the story of Sugi Toranosuke, a ronin, who returns to his home town of Edo many years after his attempted suicide as a sickly child. Rescued and adopted by a master swordsman, he has grown into a master swordsman and a very kind gentleman. The time is around 1868 the year that the nails were finally put into the coffin containing the feudal system that nurtured and sustained the samurai. Sugi is confused and unsure about what is happening but his teacher wants him out of the chaos of the multiple power struggles between the various clans.

This film focuses on Okatsu; the adopted daughter of a master swordsman. She is a master with a sword herself and her talents far overshadow that of her brother, and real child of the man who adopted her. Her brother unfortunately has a gambling habit, and it plunges the family into trouble when he loses a lot of money in a crooked dice game. After releasing he is unable to pay the debt he owes; the blame is shouldered by the father, who is killed, leading Okatsu on a path of revenge.

Kenji, a disciple of the famous detective Kyosuke Kozu, had a strange experience in the world. He was asked by a woman named Shoko Ima to find the corpse in the soil. Shoko is a famous dancer in the modern ballet world, and she just married doctor Fujimoto 10 days ago. However, on that day, Shoko had disappeared. Her corpse seems to be at the base of the ginkgo tree in the house of the sculptor Kagawa, who was rumored to have a romantic relationship. Police arrested Konosuke. However, Kagawa was also suspicious.

In a time when the main source of energy was still coal, there was a man who saw the future in oil. Young Tetsuzo Kunioka who hails from Moji, Kitakyushu, rides out into the oil business, but is faced with numerous challenges and competitors who stand in his way, including domestic suppliers and major western oil companies, or the "oil majors". But Tetsuzo never gave up, however despairing the situation was. He always found a way and paved a new road with his unconventional ideas, eccentric actions, and most of all, his caring heart toward his own men. That style of Tetsuzo's was not something that would ever change, even when the tides were against him in a war-lost Japan.

This anthology film consists of nine incidents in the late 19th and early 20th centuries when assassins changed the course of Japanese history.