The best Marthe Keller’s comedy movies
If you love cinema, you will share this ranking of the best Marthe Keller’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Marthe Keller.
Dark Eyes
7.3/10
Aboard a ship early in the 20th-century, a middle-aged Italian tells his story of love to a Russian. In a series of flashbacks filmed almost entirely in creams, whites, and ochers, the clownish and superfluous Romano Patroni leaves his wife's opulent home to visit a spa where he falls in love with a Russian woman whose marriage is a horror. He pursues her into the Russian heartland and returns to Italy resolved to leave his wife and marry his love. His amazed and appreciative Russian listener then narrates a shorter story.
In a Rush
6.1/10
Ada was settled in her life, she was pleased with it, or thought she was. She was one half of a couple who seemed happy, she'd had a child, was even due to get married, and wham... she met Paul... And this Paul was writer to boot, who lived alone with his grown daughter, had an exceedingly intrusive mother, and had the unfortunate idea of losing his father when this story had hardly got off the ground... Life started to gather speed. It was about time.
Women
6.5/10
Five women, all in their forties, try to find out what's important for them in life.
Bouquet final
5.8/10
Recruté comme directeur commercial Paris d'une entreprise américaine de pompes funèbres, Gabriel part trois mois en stage sur le terrain. Il parvient à dissimuler son nouveau job à ses parents et à son amoureuse, Claire, qui voient en lui un grand musicien, jusqu'au jour où il vend des obsèques à prix d'or à un vieux monsieur qui n'est autre que le grand-père de Claire.
From Behind
5.7/10
Frédérique's mother has died recently leaving her the family stud farm. She's never met her father, doesn't even know his name. But she finds it on the back of an old photo. She sets off for Paris. She stays with her gay dancer pal Marc. Marc and friends decide to go to their favourite gay bar... but it's men only. So Frédérique becomes Frédéric, an effeminate gay boy... Frédérique follows her father. Pierre Arroux is an art curator - and gay. She introduces herself to him, but as Frédéric. So while Frédéric is quite an awkward young man and an embarrassment to his father, Frédérique is secretly meeting with her old boyfriend now living in Paris..
Joan Lui
4.7/10
In a world ravaged by violence, and other serious social problems, Joan - a character that alludes to Christ (which represents the return to Earth) arrives to Italy by train and preaching for the salvation of mankind, condemning the hypocrisy and hedonism.
My Wonderful Wanda
6.4/10
The Polish woman Wanda, 35, looks after Joseph, 70, in his family villa by the lake. She is there for him around the clock and also helps his wife Elsa, 75. The youngest son Gregi, 28, likes her very much. The work is poorly paid, but Wanda needs the money for her own family in Poland. Since everyone lives under one roof, Wanda gets an intimate view of their family life. So intimate that Wanda unexpectedly becomes pregnant.
The Holy Family
5.1/10
Few films describe the conventions, misconducts and eccentricities of the upper reaches of the French bourgeoisie with such accuracy and elegance. With its phenomenal cast, La Sainte Famille casts a tender, ironic, sometimes melancholy glance at contemporary Balzacian characters, torn between their desires, their perception of duty and the temptation to let life follow its course.
Red Kiss
6.5/10
1952, Paris. Nadia, a Red Diaper baby, has a sister, Polish parents, and at 15 is an active Communist. When cops beat her during an anti-American demonstration, she's rescued by a "Match" photographer. As the friendship becomes a love affair and her slogans are tested by new knowledge and emotion, some of the Red youth want to expel her. When she goes with Stéphane to a seaside photo shoot, her father goes to the police. Stéphane faces charges, so leaving to cover the war in Indochina looks appealing. In a parallel story, Nadia's mother meets again her prewar lover, released from Siberia, who challenges the French Reds with very real scars and word of Stalin's anti-Semitism.
My Best Enemy
6.7/10
Poland 1943: An unlikely pair - a concentration camp prisoner and a captain in Hitler's notorious SS - free themselves from the wreckage of a crashed SS airplane. The two appear to be strangely familiar with each other and the extent of their extraordinary relationship is thrillingly revealed.
Give Her the Moon
5.8/10
The Right of the Maddest
5.8/10
The guardian of a nursing home lends a compassionate ear to the complaints of two new pensioners who love each other and have only one dream: to see the sea. To help them realize their dream, the brave man steals the car of the director. She quickly discovers the crime and drags her pale husband to the pursuit of the trio, aboard a tanker truck...
The Devil by the Tail
6.7/10
In this comedy, a run-down hotel drums up customers by sabotaging passing cars. The stuck motorists are then obliged to stay. Unfortunately, one of the sabotaged cars belongs to a bank robber. The hotel staff wants the robber out, but they also want to keep his ill-gotten money.
The Old Maid
6.6/10
Muriel is a shy woman who bluffs and blusters around in order to hide her shyness and to protect her loneliness, even though she longs wistfully for a companion of some sort. She has been lonely so long that now she is an old maid and has never been wooed. In this gentle French film, Muriel gets a glimpse of romance when Gabriel walks into the seaside hotel she is vacationing in. His car has broken down, and he has to stay there for a few days while it is repaired. Hers is the only dinner table with room at it, and Gabriel cannot prevent himself from charming women. She is stiff with him at first, but soon they develop a friendship.
A Loser
5.3/10
Elle court, elle court la banlieue
5.7/10
Sing Me Back Home
5.2/10
After scuttling her career as a singer, Jewell Stone lives in Paris a job as a waitress. Marie, her grandmother and only family, who lives in Vermont, USA, arrives overnight to see her. But how to welcome her when Jewell tells her so long about her life, her work and her loves? From one letter to another, she has invented a career that works, a life with Paul, and even a girl, Ruby. But as an Italian proverb says, lies have short legs.
Wilder Reiter GmbH
6.5/10
La vie à l'envers
6.5/10
