The best Marleen Lohse’s movies

A young man goes on a road trip with an old lady he saves from a hospital.

Ida is new to town and has a hard time making friends. One day her weird class teacher Miss Cornfield announces that everyone in the class will soon have a magical animal to accompany them. Ida is put to the side of the fox Rabbat. Benni, just like Ida also an outsider, has the turtle Henrietta as a new companion. The animals are something very special: They not only have magical abilities, they can also speak and develop their very own character! Henrietta is slow but wise. Rabbat, on the other hand, is very smart and shrewd. Due to his charismatic nature, Ida quickly becomes the star of the class, everyone is keen to be friends with her. One day there is great excitement in the Winterstein School: A thief is up to mischief and makes things disappear. The children and their magical animals go in search of the perpetrator.

Can Cleo turn back time? It seems that misfortune has been haunting her loved ones since she was born. A legendary treasure sounds like the solution to her problems, but Cleo will have to let go of the past.

When Jan decides to marry his girl-friend Sara, he is not aware of his opponent: her father, who is an Italian.

The recruiter Tom Moreno (Stephan Luca) are familiar with women and how they, after you won it for themselves, going on at the latest after the third time back to. As ELISA (Marleen Lohse), the new art director of his agency, doesn't want to exit on this scam, Tom falls into a crisis of meaning. But even his friends have to contend with their problems: Vince (Oliver Fleischer) finds his wife in Tom's bed. By Tom's mother (Corinna Harfouch), Luke (Johannes Allmayer) learns that sex is not a solution. Tom's roommate Paule (Anna Thalbach) fell into a tie holder (Michael Lott) and mutated by the buddy type to the Femme fatale. His Chief Rolf created him (Armin Rohde) also still, that the Agency is virtually broke. Tom starts for the first time, to reconsider his old proven lifestyle.

Anja and Frank are enjoying their family vacation sailing on the Baltic Sea. Anja leaves their two young children alone on the boat for just a moment and when she returns, they are nowhere to be found.

Ferdi thinks he's ugly – but likes the fact Jona is interested in him. Maybe because she's blind. What Ferdi doesn't suspect: She's just pretending to be blind to be able to live cheaply in subsidized housing. How long can she maintain her charade? Can love, which is supposed to make you blind, even work out that way? Director Tom Lass takes a closer look, shooting with blind actors and old Berlin buddies, acting the lead himself – paying tribute to a way of life beyond our way of seeing the world.

An unemployed with diagnosed burn-out is getting a therapy in a clinic.

The daughter of a lawyer is abducted. He becomes a hunted man himself.

Katrine is excited to be moving into her own dorm room at university, leaving her over-protected father and the memory of her breakdown behind her. Enjoying her new found freedom things soon turn ugly though as she falls foul of the local ‘in’ crowd, who start to bully her. Katrine discovers that this group were responsible for the death of the previous occupant of the room, who is now out for revenge and becomes trapped in the middle of this nightmare. Inspired by (but in no way a copy of) Candyman and Ringu, Room 205 is an effective chiller that oozes tension as it builds to its shocking climax.

After several strokes of fate ends a rage eruption of the otherwise so quiet power engineering technician Felix Grünler with a criminal complaint for assault. A grateful affair for his sister-in-law Karin, who forges an intrigue to gain the inheritance of her mother-in-law. She succeeds in having Felix admitted to psychiatry as incompetent. He is determined not to get into therapy. For doctors, this confirms the picture of the labile patient. But in the other patients Felix gives his consistent anti-attitude in the long run benevolent recognition.

Sanne's and Markus' relationship is in crisis. They go on holiday together, but accidentally fly to the wrong island. There, in desperation, they break into an empty holiday home and embark on a role-play using new identities. At first, the game is an exciting rediscovery of their relationship, but it becomes increasingly destructive as they force themselves into archaic roles.