The best Marko Živić’s movies
Today we present the best Marko Živić’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Marko Živić’s movies.
The Belgrade Phantom
6.7/10
Belgrade, Yugoslavia, 1979; a mysterious "Phantom" occupies the attention and hearts of Belgrade. Every night, he exhibits spectacular driving maneuvers using a stolen white Porsche car through the city streets.
Montevideo, God Bless You!
8.1/10
A story about one team that decides to follow a dream that takes them on a journey to the First World Football Championship in Montevideo, Uruguay in 1930. A dream that allows them to become true stars and living legends.
Toma
8.7/10
Biopic about Serbian folk singer Toma Zdravković, the man who is remembered not only for his songs and unique way he was singing them, but also as a bohemian, both in his behavior and his soul.
Fade to Black
5.5/10
Still reeling from the painful breakup of his marriage to screen siren Rita Hayworth, iconic filmmaker Orson Welles (Danny Huston) makes his way to Rome, where he gets pulled into a tangled political plot involving murder and mysterious motives. A beautiful actress (Paz Vega) proves a tempting distraction. But if they want to stay alive, Welles and his young Italian driver (Diego Luna) need to stay focused.
Obituary for Escobar
6.3/10
Serbian crime drama focusing on Belgrade's violent criminal underworld. Obituary For Escobar distinguishes itself from other recent crime dramas with its strong visual style and energetic approach. Borko was a young effeminate boy bullied at school by the self-styled 'Ghandi'. Years on, Ghandi is now a warlord, wrecking mayhem in pursuit of his ambition to become the leading drug lord in the Balkans. His execution of the rival 'Serbian Escobar' coincides with the mysterious placement of an obituary for the real Escobar by two stoners. In Ghandi's pursuit of the assailants he meets Lela, a stunning mystery woman who leads Ghandi to reconsider both "Borko" and his life in crime.
Masha
The hardships of a young female refugee and her personal melodrama of being forced to choose between two men, out of whom she prefers the poorer one.
