The best Mark Jones’s drama movies

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.

In Charenton Asylum, the Marquis de Sade directs a play about Jean Paul Marat's death, using the patients as actors. Based on 'The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade', a 1963 play by Peter Weiss.

The delightful if peculiar story of a day in the life of a small, Welsh fishing village called "Llareggub" in which we meet a host of curious characters (and ghosts) through the 'eyes' of Blind Captain Cat.

Based on the play The Cellist, by Marion Hart, exploring the relationships shared by the residents of a seedy boarding house owned by dour Mrs. Brent. Among them are busker Wanda Fleming, who is flattered by the attention paid her by rebellious pop songwriter wannabe Mickey Hollister, and former schoolmaster James Wallraven, who has been accused of pedophilia and reduced to working as a janitor in an art gallery.