The best Mariusz Bonaszewski’s drama movies

Film about the lead up to the Polish uprising against German occupation at the end of the Second World War.

In 1945, as Stalin sets his hands over Poland, famous painter Wladislaw Strzeminski refuses to compromise on his art with the doctrines of social realism. Persecuted, expelled from his chair at the University, he's eventually erased from the museums' walls. With the help of some of his students, he starts fighting against the Party and becomes the symbol of an artistic resistance against intellectual tyranny.

Poland, 1970. Firmly determined to fight against Soviet tyranny and prevent the destruction of the world, the high-ranking officer of the Polish army Ryszard Kukliński makes a serious decision that will put his life, his family and the fate of an entire nation at risk.

In the spring of 1945, the commanding officer of the National Armed Forces in Mazowsze and older brother of 20-year-old Mieczyslaw Dziemieszkiewicz, is assassinated by Soviet soldiers. Mieczyslaw then joins the National Military Union. He becomes the commander of a partisan unit fighting for the next six years to free Poland from Soviet tyranny by terrorizing the UB and its collaborators. Communist authorities will do whatever it takes to track down the "enemy of the people's power."

The movie is about three brothers and a sister. The brothers include a would-be tough guy thug, a sleazy lawyer and an anarchist. The anarchist and the sister (Maria Strzelecka) have a thing for each other that is more than just sibling affection. Each of them is facing a problem of their own making. A lot depends on how they deal with their issues, as there isn't much lower they can stoop other than being dead. In the beginning of the film there is a lot going on, which makes it a little hard to follow, but that goes along with the theme of chaos.

Krzysiek Biuro Rzeczy Osobistych Theater (created by intellectually disabled actors) is the winner of a festival, in which the prize is a performance in a professional theater. With great joy and expectations, Krzysiek and his actors are currently working on a new play "Zorba." It would be great to put it on a real stage. It turns out, however, that the director of the theater, when offering them assistance, sets certain conditions. Rehearsals begin, in which professional actors take part: Bartoszek - an aging actor, Olbińska - a former star who now plays lesser roles, and a star who was acquired by the theater director, Wiktoria.

Franek, a student of painting. By coincidence becomes involved in the cogs of a horrific totalitarian machine. His sensitivity and humanity will be heavily tested.

Karolina (Katarzyna Zawadzka) works in a bank, she is energetic, self-confident, go-getting. When the latest currency product comes into her hands - a loan in Swiss francs, the woman gets a great chance to prove herself. Having the full consent of his boss - Adam (Tomasz Karolak), he unscrupulously starts persuading clients to take the most risky and unfavorable investments. Jan (Jan Frycz) is the gray eminence of the Polish financiers. In his phone, he has contacts to the presidents of the largest banks in Poland. His cynical ideas and decisions affect the economy and the fate of hundreds of thousands of people overnight. Such as Artur (Rafał Zawierucha) - an ambitious head of an IT company who decides to use currency options to develop his business. His partner is Mateusz (Antoni Królikowski), who dreams of independence, his own place and the longed-for move away from his in-laws.

An atmospheric coming-of-age story featuring an imaginative young boy named Marek who dreams of escaping an increasingly dangerous Poland on the eve of war for beautiful Venice.

Based on a true story. Two brothers, Artur (22) and Marcin (12), murder their own mother. The film starts with the boys' arrest and then takes us through the last 12 months in a series of flashbacks.

In this Polish-German fantasy thriller, Wroclaw lawyer Anna Bracka (Antonina Choroszy) is after top-level corruption when her lover Jerzy (Artur Zmijewski) suggests she take a bribe to lose the case. After her angry refusal, he rapes her, and she drives away into the rain, nearly hitting amnesiac Witek (Mariusz Bonaszewski) wandering in the road. She takes him to an abandoned housing project, and when his memory returns, he tells her his gun was once owned by retired military prosecutor Jan Szymanski (Jan Nowicki), Anna's father. Anna goes to her father, who remembers prosecuting and then befriending Witek during the 1949 communist takeover of Poland. Flashbacks link the idealistic young Witek, who refused to sign a false statement and betray his beliefs, to the equally idealistic Anna

After the death of his wife, the father of 16-year-old Wojtek, succumbs to a nervous breakdown and loses touch with reality. The school authorities where Wojtek is a student already know about this problem. If Wojtek’s father doesn’t prove he is able to look after his son, Wojtek will be taken to an orphanage. Wojtek is left with a few hours to master the situation and overcome the problem. The film is based on the short story 'ON' [He] by Joanna Łabuz and corresponds to the fourth Commandment: 'Honour your father and your mother'.