The best Mario Adorf’s documentary movies
Today we present the best Mario Adorf’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Mario Adorf’s movies.
Never Be Boring: Billy Wilder
6.7/10
A funny walk through the life story of Billy Wilder (1906-2002), a cinematic genius; a portrait of a filmmaker who never was a boring man, a superb mind who had ten commandments, of which the first nine were: “Thou shalt not bore.”
100 Years of the UFA
The intricate history of UFA, a film production company founded in 1917 that has survived the Weimar Republic, the Nazi regime, the Adenauer era and the many and tumultuous events of contemporary Germany, and has always been the epicenter of the German film industry.
Western Legenden - Made in Hollywood
5.7/10
Marina, Mabuse und Morituri - 70 Jahre Deutscher Nachkriegsfilm im Spiegel der CCC
6.5/10
A documentary directed by Kathrin Anderson.
The Case of Bruno Lüdke
The incredible story of Bruno Lüdke (1908-44), the alleged worst mass murderer in German criminal history; or actually, a story of forged files and fake news that takes place during the darkest years of the Third Reich, when the principles of criminal justice, subjected to the yoke of a totalitarian system that is beginning to collapse, mean absolutely nothing.
Karl Marx - Der deutsche Prophet
6/10
Die Hardy Krüger-Story
7/10
Doomed Love: A Journey Through German Genre Films
6.5/10
An alternative history of the not-so-well-known West German genre cinema of the 1960s and 1970s.
Winnetou darf nicht sterben
6.8/10
It Could Have Been Worse - Mario Adorf
Portrays the film star Mario Adorf and his passion for acting, the stage, the cinema, singing and writing. Together with the director Dominik Wessely, the film comes closer to Mario Adorf as a person and highlights important stations of his private life and his international career. When Mario Adorf begins to talk about his life, over 60 years of theatre and film history come to life. A dialogue with him is not only a retrospective, but also an intensive exchange of ideas about film and theatre and his view of the world, love and ageing.
