The best Marie Zielcke’s movies
Today we present the best Marie Zielcke’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Marie Zielcke’s movies.
No Place to Go
6.9/10
Flanders, a famous female author, travels 1989 after the fall of the Berlin wall into the German capitol. She is deeply depressed of the events because she saw the communistic states as a very good thing that has now ended. In the joy of these days she finds no person to understand her, so she has to travel back to Munich. After meeting several people, known and unknown, it seems as if there will be no way to go.
Lammbock
7.2/10
Stefan and Kai have good going business, self-grown cannabis screened as pizza delivering service. For now they only have to deal with plant-louses.
Süperseks
5.8/10
No overview found.
Am I Beautiful?
6.5/10
German people having trouble with love and identity.
Agnes and His Brothers
6.6/10
Focuses on three very different siblings, all searching for happiness. Hans-Jörg is a sex addicted librarian, who is interested in young students. Werner is a successful politician with a dysfunctional family. Agnes, a trans woman, works as a table dancer in a night club. The three brothers just have one thing in common: their longing for a happy life.
Nitschewo
7.7/10
Jim and Elise are bound to each other by an uncompromising love, excessive passion and romance, which they like to experience up to life-threatening situations. But when film director Frank Morris gets stranded in the solitude of their east-German village, things start changing for all three of them.
Fata Morgana
5.2/10
The Last Hope: U-Boat 864
5.7/10
Verfolgt - Der kleine Zeuge
5.9/10
Beyond Remedy
2.8/10
An international group of medical students takes part in a seminar on fear - with deadly results.
Silvester Countdown
6.3/10
A young Berlin couple travel to a friend's place for the celebration of Silvester and New Year's Eve. During that period, we witness today's juvenile sub-culture, especially the ways of keeping a partnership - or breaking it up in between.
Meine Mutter, meine Männer
5.4/10
For Jenny, in her mid 30s, everything is going great: Her career at the Munich Opera House is going uphill and in her friend Tobias she seems to have found the ideal man. But then the events rush: The new stage designer at the opera proves to be her ex-boyfriend Erik and a pregnancy test turns out to be positive. That's not enough, Jenny's free-spirited mother Jutta lodges with her and Tobias indefinitely. The casual hippy lady soon shakes up the orderly life of the couple. At the same time, Erik Jenny turns his head violently.
Stürmische Zeiten
6.3/10
Herz oder Knete
5.7/10
The resolute cleaning lady Adele Weiß is not thrilled that her lovely daughter Linda just wants to marry the naughty son of the arrogant textile entrepreneur Carl Morus. In order to break the ice, the children, who are willing to marry, arrange a dinner, during which Adele and Carl go crazy in all the rules of the art. When the children are suddenly no longer sure if they should step in front of the altar, and Carl discovers his heart for the life-smart Adele, it comes to some oblique entanglements.
Leibniz: Auf der Suche nach der Weltformel
300 years before globalized communication and long before Facebook and Instagram, Leibniz had "friends" all over the world - more than 1,300 mail partners. For the cultural scientist Joseph Vogl from the Humboldt University in Berlin, Leibniz's way of working was something of an "information processing machine". Most of his estate is in Hanover, where Leibniz worked as a librarian and consultant at the Duke's court for 40 years. Leibniz has written so much in his life that so far only a part of the total of 200,000 pages has been recorded and published. It is expected that everything will be edited in 2055. Who was this Gottfried Wilhelm Leibniz who said of himself: "Whoever knows me only from my published writings does not know me"? The film searches for Leibniz as a person. The documentary portrays the genius Leibniz in his time and always brings him back to our present. Different people have their say, and their work would not be possible without Leibniz.
