The best Marie Brassard’s comedy movies
If you love cinema, you will share this ranking of the best Marie Brassard’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Marie Brassard.
The Forbidden Room
6.1/10
A submarine crew, a feared pack of forest bandits, a famous surgeon, and a battalion of child soldiers all get more than they bargained for as they wend their way toward progressive ideas on life and love.
A Brother’s Love
6.6/10
Sophia, a brilliant doctoral student, has always maintained a symbiotic relationship with her brother Karim. The arrival of a new lover in Karim’s life significantly alters their dynamic.
Heat Wave
6.6/10
After the death of her unfaithful husband, Gisele, a social worker of 52 years, falls madly in love with Yannick, one of her former customers and kleptomaniac addict. She tries to repress her feelings, but the attraction she has for this 19 year old boy is beyond comprehension. Her sister, her boss and two children will each turn, disrupt her secret meetings with her young lover.
Cadavres
5.3/10
Raymond is a jealous, misanthropic, couch potato. Angèle is a sexy TV star, childish and disillusioned. One Halloween, their mother, Solange, suddenly dies. Raymond calls his sister for the first time in 10 years. She agrees to meet him and begins to investigate their mother's death, all in keeping with her TV role of police commissioner. But nothing is simple with the Marchildons. Between a dithering Raymond, the ghost of Solange who continues to haunt her children, and Angèle who's going crazy interviewing suspects, one more bizarre than the next, and the bodies that are filling up the basement, it's hard to keep their love straight. But then, love was always a little twisted in the Marchildon household.
The Twentieth Century
6.9/10
Toronto, Canada, 1899. William Lyon Mackenzie King (1874-1950) fervently believes that he is destined to become Prime Minister, but to do so he will first have to fight his personal obsessions and overcome the many obstacles he will encounter on his tortuous path to power.
Nô
6.9/10
Robert Lepage directed this Canadian comedy, filmed in black and white and color and adapted from Lepage's play The Seven Branches of the River Ota. In October 1970, Montreal actress Sophie (Anne-Marie Cadieux) appears in a Feydeau farce at the Osaka World's Fair. Back in Montreal, her boyfriend Michel (Alexis Martin) watches the October Crisis on TV and sees Canadian Prime Minister Trudeau declare the War Measures Act. The Canadian Army patrols Montreal streets. Sophie learns she's pregnant and phones Michel. However, Michel is immersed in politics, while Sophie rejects the amorous advances of her co-star (Eric Bernier), becomes friendly with a blind translator, and passes an evening with frivolous Canadian embassy official Walter (Richard Frechette) and his wife Patricia (Marie Gignac). Meanwhile, in Montreal, Michael plots terrorist activities. Commenting on East-West cultural distinctions, the film intercuts between Quebec (in black and white) and Japan (in color).
août. septembre.
Continental, a Film Without Guns
6.8/10
Four people are affected by one man's disappearance: Lucette, his wife, who anxiously awaits his return; Louis, a young father whose relationship with his wife is going through confusing times; Chantal, a hotel receptionist who dreams of sharing her life with someone else; Marcel, an ex-gambler confronted by the realities of aging.
