The best Marianne Jean-Baptiste’s drama movies

A seasoned team of bank robbers, including Gordon Jennings (Idris Elba), John Rahway (Paul Walker), A.J. (Hayden Christensen), and brothers Jake (Michael Ealy) and Jesse Attica (Chris Brown) successfully complete their latest heist and lead a life of luxury while planning their next job. When Ghost (Tip T.I. Harris), a former member of their team, is released from prison he convinces the group to strike an armored car carrying $20 million. As the "Takers" carefully plot out their strategy and draw nearer to exacting the grand heist, a reckless police officer (Matt Dillon) inches closer to apprehending the criminals.

After getting into a car accident while drunk on the day of her sister's wedding, Gwen Cummings is given a choice between prison or a rehab center. She chooses rehab, but is extremely resistant to taking part in any of the treatment programs they have to offer, refusing to admit that she has an alcohol addiction.

With both her adoptive parents now dead, a black optometrist decides to make contact with her birth mother, but is shocked to find out that she is white.

Inspired by Arthur Schnitzler's classic La Ronde, screenwriter Peter Morgan and director Fernando Meirelles' 360 combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century. Starting in Vienna, the film beautifully weaves through Paris, London, Bratislava, Rio, Denver and Phoenix into a single, mesmerizing narrative.

Jamie Fitzpatrick and Nona Alberts are two women from opposites sides of the social and economic track, but they have one thing in common: a mission to fix their community's broken school and ensure a bright future for their children. The two women refuse to let any obstacles stand in their way as they battle a bureaucracy that's hopelessly mired in traditional thinking, and they seek to re-energize a faculty that has lost its passion for teaching.

Two teenage assassins accept what they think will be a quick-and-easy job, until an unexpected target throws them off their plan.

Men Only is a provocative two-part drama about the dark side of modern masculinity. What do men want, what do women want from them, and can the two ever be reconciled? Our men are a five-a-side football team from South London. Only they're too old, too slow, too under the thumb at home to waste their precious Tuesday nights kicking a ball around and losing every time. So the football stops and the excitement starts. They begin in lap-dancing bars, but soon they want more. Porn. Violence. Sex. Class A's. What happens on Tuesday nights should never go home. But one night they finally go too far, and the two worlds look set to collide

For want of a nail a shoe was lost, for want of a shoe... a young man's life is almost lost, which is exactly what this film is all about: a man barely twenty who wants desperately to pull out of London's drug world by taking a job as a waiter in a 'normal' restaurant. But to do this he must come up with a "sensible" pair of shoes, an item that his homeless meanderings hasn't provided him.

Three women in Hollywood talk to the camera one summer (with a coda six months later). Sara is a casting director; her soliloquies are addressed to Samson (her blind infant son) and to Holly Hunter. She talks about her husband's refusal to touch their son and her discovery of his affair. Gina is a masseuse - blithe, solipsistic, scheming to steal the energy of Hollywood players. She frequently refers to her dead sister Wanda, kidnaped by their father. Phyllis, sexually abused by her father when a teen, addresses her son Eric. She's a producer, working on remaking Pasolini's "Teorema." As the project falls apart, so does she. All three hum or sing, "You made me love you."