The best Marianne Faithfull’s romance movies
Today we present the best Marianne Faithfull’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Marianne Faithfull’s movies.
Paris, Je T'Aime
7.2/10
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.
Intimacy
6/10
Jay, a failed musician, walked out of his family and now earns a living as head bartender in a trendy London pub. Every Wednesday afternoon a woman comes to his house for graphic, almost wordless, sex. One day Jay follows her and finds out about the rest of her life (and that her name is Claire). This eventually disrupts their relationship.
Belle du Seigneur
5/10
English-language adaptation of Albert Cohen's epic Swiss tale of a tortured love affair between a high-ranking Jewish official and the protestant wife of one of his employees.
The Girl on a Motorcycle
5.3/10
Newly-married Rebecca leaves her husband's Alsatian bed on her prized motorbike - symbol of freedom and escape - to visit her lover in Heidelberg. En route she indulges in psychedelic reveries as she relives her changing relationship with the two men.
Moondance
6/10
The close relationship between two fun-loving brothers comes under threat when a beautiful, sensitive girl arrives on the scene. As the younger brother comes of age, the inevitable jealousy, confusion, rivalry and lust place their brotherly love in jeopardy.
Anna
6.8/10
First shown on January 13, 1967 Anna was the first colour broadcast on French television. Directed by Pierre Koralnik, Anna was une comédie musicale showcasing the talents of the ex-Mrs Jean-Luc Godard, Anna Karina.
