The best Maria Kulle’s movies

In a time of social change and unrest, war and poverty, a young working class woman, Maria, wins a camera in a lottery. The decision to keep it alters her whole life.

The Victoriastadium is totally destroyed in a bomb attack and Christina Furhage, head-responsible for the Olympic Games in Stockholm, dies with it. Why did someone destroy the stadium and why is Christina murdered? The police desperately seek for clues that will lead them to the perpetrator but without any luck. As the Olympic Games draws near the situation becomes more desperate. Annika Bengtzon, a reporter for Kvällsposten, se a connection that no one else sees and without understanding it she starts a carousel that in the end will threaten her own life.

It is Midsummer's Eve and ten people are on a deserted castle for a TV recording. The next morning the program leader is shot dead. Kvällspressens Annika Bengtzon a mandate to monitor the murder, but she soon learns that her best friend Anne Snapphanevägen is one of the ten suspects. When the police released all one after another - all except Anne - it becomes personal for Bengtzon who will do anything to exonerate her friend.

Chronicling the beautiful and tragic life and career of Ted Gärdestad, this biopic tells the story of the great highs and lows of one of Sweden's most loved artists.

A couple of brutal and mysterious murders point to Uppsala University. Johan, a last year student at the police academy, gets involved in the investigation. He enrolls a course at the University in order to, under cover, track down the killer.

Mikko Virtanen feels like a Swedish soul trapped in a Finnish body. Full of disgust for everything Finnish, he sees Sweden as heaven. Upon meeting a suicidal Swedish psychologist Mikael Anderson, he seizes an opportunity for an identity switch. Raspberry Boat Refugee is a comedy about cultural differences in the Nordic countries, their nationalism and, not least, prejudices about our neighbours. It also proves how futile it is to try to escape oneself.

About Lillemor Östlin in the 60s and 70s. Her downfall from the glamorous Stockholm nightlife to drug addiction, crime and prostitution.

Ester is the perfect grandmother everyone expects her to be. But she unexpectedly inherits an old aunt and gets a big apartment and a lot of money. She decides to leave her husband, children and grandchildren to start her life over. Before long, she has four men who court her and she feels young once again.

"It's simple! We do as we're told." This disconcerting reply comes from a Swedish employment office employee when asked how the country’s most unpopular government agency works. And that’s not all: in this creative documentary, case workers, receptionists and psychologists reveal how the Swedish employment system is failing. They complain about inadequate software and mystifying error messages, excessive caseloads and demoralizing results—on average, each case worker helps just 10 people find work each year, and only one in 10 clients will find a new job. To assure the anonymity of the interviewees, they're all represented by cardboard puppets. Thanks to visible puppeteers, expressive eyes and recognizable gestures, these puppets quickly take on the appearance of real people. The result is a fascinating, comical and artistic study of human strategies to get along in an irrational bureaucracy.