The best Marco Guadagno’s drama movies

Marco Guadagno

Marco Guadagno

If you love cinema, you will share this ranking of the best Marco Guadagno’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Marco Guadagno.

Me, Them And Lara

Me, Them And Lara
5.8/10
  • Genre: ComedyDrama
  • Release: 05/01/2010
  • Character: Padre Giulio
A priest, after spending years in humanitary missions in Africa, reunites with his family, which is in worse conditions than when he left, and above all meets a young lady who will make him doubt both himself and his faith.

Ernesto

Ernesto
6.9/10
Ernesto (Martin Halm) is a young Italian Jew of the early 1900s who works in his uncle's factory in Trieste. Not entirely secure with his sexual orientation, Ernesto enters into an affair with one of his uncle's employees--then experiments with heterosexuality, courtesy of an obliging prostitute. When the boy finds himself participating in an arranged marriage with the female twin of one of his male lovers, he finally makes the choice that will determine the direction of his subsequent sex life.

Three Touches

Three Touches
5.4/10
  • Genre: Drama
  • Release: 13/11/2014
  • Character: direttore
Several actors are members of a amateur soccer team. They followed in their preparations for a particular audition and in their personal life. With about 6 actors this delivers a broad picture of Italian life in which the question what it means to be a man is posed in the challenging circumstances of familily life, sex relationships, sport, cross gender roles and mafia.

Non prendere impegni stasera

Non prendere impegni stasera
5.9/10
  • Genre: Drama
  • Release: 15/06/2007
  • Character: Prete

Trilussa - Storia d'amore e di poesia

Trilussa - Storia d'amore e di poesia
7.2/10
  • Genre: Drama
  • Release: 11/03/2013
  • Character: Nappa Scultore

Festival

Festival
6.2/10
  • Genre: Drama
  • Release: 27/09/1996
The annual film festival in Venice is, of course, an ideal place to make a film (how come no-one has thought of it before). Everything is there in Pupi Avati's Festival: the famous hotels Des Bain and Excelsior on the Lido, the shimmering sandy beach which captivated Visconti. The film was made last spring and exploits the presence of passing film stars such as Jack Nicholson. We see the hysterical press conferences, where journalists and experts ask intelligent questions-without listening to the answers.

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