The best Marcio Rosario’s drama movies

Marcio Rosario

Marcio Rosario

24/12/1971 (52 años)
If you love cinema, you will share this ranking of the best Marcio Rosario’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Marcio Rosario.
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Fight Club

Fight Club
8.8/10
  • Genre: Drama
  • Release: 15/10/1999
  • Character: Fighter (uncredited)
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.

The Perfect Storm

The Perfect Storm
6.5/10
In October 1991, a confluence of weather conditions combined to form a killer storm in the North Atlantic. Caught in the storm was the sword-fishing boat Andrea Gail. Magnificent foreshadowing and anticipation fill this true-life drama while minute details of the fishing boats, their gear and the weather are juxtaposed with the sea adventure.

Collateral Damage

Collateral Damage
5.5/10
Firefighter Gordon Brewer is plunged into the complex and dangerous world of international terrorism after he loses his wife and child in a bombing credited to Claudio 'The Wolf' Perrini.

Rio, I Love You

Rio, I Love You
5.2/10
  • Genre: DramaRomance
  • Release: 12/09/2014
  • Character: Walter (segment "Texas")
The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.

Deserto

Deserto
6.7/10
  • Genre: Drama
  • Release: 01/09/2016
A small group of artists travels the Brazilian backlands presenting a show. Upon arriving in a small village, they find an abandoned city with houses, a church, and a fountain spouting clean water, like a miracle of a biblical desert. Tired of and battered by their life as wanderers, the artists decide to settle in the village and start a new community, assigning themselves different roles from those they have played throughout their lives. This new arrangement, however, will reveal these artists the worst vices of the civilian life.

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