The best Marcia Gay Harden’s romance movies

When college senior Anastasia Steele steps in for her sick roommate to interview prominent businessman Christian Grey for their campus paper, little does she realize the path her life will take. Christian, as enigmatic as he is rich and powerful, finds himself strangely drawn to Ana, and she to him. Though sexually inexperienced, Ana plunges headlong into an affair -- and learns that Christian's true sexual proclivities push the boundaries of pain and pleasure.

Believing they have left behind shadowy figures from their past, newlyweds Christian and Ana fully embrace an inextricable connection and shared life of luxury. But just as she steps into her role as Mrs. Grey and he relaxes into an unfamiliar stability, new threats could jeopardize their happy ending before it even begins.

When a wounded Christian Grey tries to entice a cautious Ana Steele back into his life, she demands a new arrangement before she will give him another chance. As the two begin to build trust and find stability, shadowy figures from Christian’s past start to circle the couple, determined to destroy their hopes for a future together.

When the grim reaper comes to collect the soul of megamogul Bill Parrish, he arrives with a proposition: Host him for a "vacation" among the living in trade for a few more days of existence. Parrish agrees, and using the pseudonym Joe Black, Death begins taking part in Parrish's daily agenda and falls in love with the man's daughter. Yet when Black's holiday is over, so is Parrish's life.

When teenager Ren and his family move from big-city Chicago to a small town in the West, he's in for a real case of culture shock after discovering he's living in a place where music and dancing are illegal.

The story of Katherine Ann Watson, a feminist teacher who studied at UCLA graduate school and in 1953 left her boyfriend behind in Los Angeles, California to teach at Wellesley College, a conservative women's private liberal arts college in Massachusetts, United States.

In August of 1949, Life Magazine ran a banner headline that begged the question: "Jackson Pollock: Is he the greatest living painter in the United States?" The film is a look back into the life of an extraordinary man, a man who has fittingly been called "an artist dedicated to concealment, a celebrity who nobody knew." As he struggled with self-doubt, engaging in a lonely tug-of-war between needing to express himself and wanting to shut the world out, Pollock began a downward spiral.

Thirty-nine-year old divorcé Louise Harrington (Linney) works in the admissions office at Columbia University School of the Arts. She is unnerved when she receives an application from F. Scott Feinstadt, the same name of her high school sweetheart who was killed in a car crash, and calls the student to arrange an interview. His appearance, mannerisms, and painting style closely resemble those of her former love, and she begins to suspect the young artist may be the reincarnation of her old flame. Hours after meeting, the two embark upon an affair. Also complicating Louise's life are her relationship with her ex-husband Peter , who confesses he is learning to cope with a sex addiction that, unknown to her, plagued their marriage; her ne'er-do-well brother Sammy, who is favored by their mother Ellie despite his shortcomings; and her best friend Missy, who stole the original Scott from Louise before his death and seems intent on doing the same with the contemporary version.

Set in the 1920s French Riviera, a master magician is commissioned to try and expose a psychic as a fraud.

Aged, embittered widower, Fred learns to enjoy life thanks to his elderly yet vibrant neighbor, Elsa. Upon learning Elsa is terminally ill, Fred takes her to the Fontana di Trevi in Rome in order to reenact her favorite scene from ‘La Dolce Vita’.

A bachelor afraid of marriage angers his long-time girlfriend by buying a splendid townhouse just for himself, only to find it haunted by the ghosts of a famous theatrical couple, who teach him about love and commitment.

Inspired by the picturesque paintings of Thomas Kinkade, The Christmas Cottage tells the semi-autobiographical tale of how a young boy is propelled to launch a career as an artist after he learns that his mother is in danger of losing the family home.

At her husband's funeral, Pearl (Shirley MacLaine), Jewish mother of two divorced and antagonistic daughters, meets an old Italian friend (Marcello Mastroianni) of her husband, whose advice years previously had stopped the husband leaving home. For 23 years he, now a widower, has secretly loved Pearl...

Two young men, one in need of medical attention, are cryogenically frozen in the early 1960s. The two are preoccupied with the fact that the police are pursuing them to realise what they are doing. The next thing they know is that they are in a strange new world (thirty years on).

When a woman tries to outwit her husband's sexy young mistress, the unexpected consequences include starring as King Lear in a very amateur production - with the mistress, an aspiring actress, playing The Fool.