The best Marcelle Géniat’s movies

Outwardly, Monsieur Victor would appear to be the model citizen. A respectable Toulon shopkeeper, he has a devoted wife and is courteous and considerate to all who know him. However, beneath this veneer of respectability hides a notorious receiver of stolen goods, who trades with hardened criminals. Victor manages to keep up his double life without any difficulty until the fateful day when one of his partners in crime threatens to expose him. Fearing a scandal, Victor kills the crook in a moment of panic, using a shoemaker's tool. Naturally, the murder is blamed on a local shoemaker, who is sentenced to ten years' hard labour. Seven years later, the former shoemaker reappears in Toulon, having escaped from prison. The first person to recognise him is Monsieur Victor...

A wealthy industrialist, Roger de Vetheuil, married, feels assured of aging in peace. Then appears a blackmailer who accuses him of being a usurper, actually called Jean Pelletier, a mobster well known to police. Vetheuil, judging himself slandered, refuses to listen to his tormentor and goes to the police. The man speaks. The scandal is public soon ...

The daughter of a notorious smuggler is raised as a boy by her foster mother.

In 19th-century France, a little girl follows her two sisters into a Carmelite monastery with the goal of becoming a saint.

Pierre Fresnay plays the title character in Le Defroque (The Defrocked One). Cast out by his church, former priest Maurice (Fresnay) delights in mocking the traditions and credos of Catholicism. Even so, young Gerard (Pierre Trabaud) becomes convinced that Maurice has never truly lost his calling. Becoming a priest himself, Gerard devotes his life to bringing Maurice back into the fold. Things don't turn out quite as Gerard hopes, however; he has not reckoned with the possibility that Maurice may have been driven into insanity by his raging self-hatred.

French drama

Alfred Boulard, a good-natured electrician, gives his blood to save Mona Thalia, a great theater actress. Mona Thalia survives and Boulard becomes the man of the hour. Grateful to him, Mona helps Alfred to become a singing star. But his fame will be short-lived.

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Driven by necessity, Jean Larcher, a young agricultural engineer, accepts the degrading mission of leading to ruin, under cover of administering it, a huge cocoa plantation on the island of São Tomé. His employers, a financial coalition, indeed plan to dispossess its owner, an inexperienced young woman who has just inherited it, of her property. But when Jean comes into contact with her, he recognizes Francesca, a girl he had fond feelings for when he was a student.

Pierre Chenal's adaptation of Dostoyevsky's novel, starring Pierre Blanchar and Harry Baur. Bears the influence of German Expressionism and serves as an early forerunner of poetic realism.

Pietro Ponz lives a happy life in the mountains on the Swiss-Italian border with his mother Lamberta. No one but his mother knows that Pietro is a girl, a deception that Lamberta was forced into by a series of tragedies almost twenty years previously. Not long after her husband Joseph Ponz died, Lamberta also lost her fragile infant son, Pietro. Whilst mourning this double loss, she began an affair with Bolzano, a notorious smuggler. After Bolzano was killed by the customs men, Lamberta gave birth to his child, a little girl that she decided to pass off as her son Pietro, in the hope of securing an inheritance from her husband's wealthy parents. Now that Pietro is fast coming of age, his tutor and grandmother are adamant that he should be sent to a religious school. Pietro escapes from the school and joins a gang of smugglers...