The best Marcella Albani’s movies
Today we present the best Marcella Albani’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Marcella Albani’s movies.
The Fight for the Matterhorn
7/10
Struggle for the Matterhorn (German: Der Kampf ums Matterhorn) is a 1928 German-Swiss silent drama film co-directed by Mario Bonnard and Nunzio Malasomma and starring Luis Trenker, Marcella Albani, and Alexandra Schmitt. The film is part of the popular cycle of mountain films of the 1920s and 1930s. Art direction was by Heinrich Richter. Based on a novel by Carl Haensel, the film depicts the battle between British and Italian climbers to be the first to climb the Matterhorn. Trenker later remade the film as The Challenge in 1938.
The Sins of Love
7.1/10
The troubled situation of a provincial actor and his actress wife who come to the city. The actor is suspected of attacking another actor who admires the actress.
Dagfin
Deutsches Filminstitut holds an archive print of unknown length.
Vertauschte Gesichter
Die geschiedene Frau
Secrets of the Orient
7.1/10
Directed by Alexandre Volkoff
Sensation im Wintergarten
The Emperor of California
6.4/10
The film follows the life story of Johann Augustus Suter, the owner of Sutter's Mill, famous as the birthplace of the great California Gold Rush of 1848.
The Movie Star
6.7/10
A young woman accidentally becomes a movie star.
The Last Performance
The impressive cast is headed by the great Heinrich George as Boris Stroganoff, an opera composer and conductor who’s also a notorious lothario. Albani is ballet dancer Viola Suroff, who’s put her career aside to look after her partner Maxim Sadi, a baritone with unspecified health issues that have kept him off stage. Stroganoff sets his sights on Viola and offers her a job in the corps de ballet for his new opera The Boyar, which she accepts provided Maxim is also hired. However, dancer Margot (called Myrra in the French version) maintains a seething passion for Stroganoff, as does Countess Geschow (called Countess Ziska on this print), both of whom are resentful when watching his interactions with Viola. Jealousies run high on opening night between all the characters and Stroganoff is shot mid-performance, but who is the killer: Maxim, Margot, or Geschow?I
Das Geheimnis des Abbe X
4.8/10
Das Spiel der Liebe
