The best Marcélia Cartaxo’s movies
If you love cinema, you will share this ranking of the best Marcélia Cartaxo’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Marcélia Cartaxo.
Madame Satã
7/10
A story inspired by the life of one of the most remarkable figures in Brazilian popular culture, João Francisco dos Santos (1900-1976). In turn, bandit, transvestite, street fighter, brothel cook, convict and father to seven adopted children, dos Santos – better known as Madame Satã – was also a notorious gay performer who pushed social boundaries in a volatile time.
Delicate Crime
6.1/10
Antônio Martins, respected theatrical critic, is a very rational man. But a chance meeting with young Inês, a nude painting model, is going to rock him. Inês keeps a relationship with painter José Torres Campana, an older man with a deep influence over her. Antônio gets jealous, and the three become characters of a drama saturated with desire and danger.
Love for Sale
7.1/10
In northern Brazil, Hermila patiently waits for her husband. However, he has abandoned her. Sexy, restless and resolute, she raffles off "a night in paradise" with herself. This beautifully-shot portrait doesn't shy away from the burdens of a young scarred woman, but it also celebrates her courage to live according to her own rules.
Césio 137 - O Pesadelo de Goiânia
6.5/10
The story behind one of the worst radiological disasters to ever happen in Brazil, in 1987.
Baptism of Blood
7.1/10
In São Paulo, in the late 1960s, the convent of the Dominican friars became a trench of resistance to the military dictatorship that governs Brazil. Moved by Christian ideals, frets Betto, Oswaldo, Fernando, Ivo and Tito came to support the guerrilla group Ação Libertadora Nacional, commanded by Carlos Marighella.
Acqua Movie
6.6/10
A documentarist is convinced by her son to travel to Brazil's Northeast so she can throw his dad ashes at São Francisco river.
What Is It Worth?
7.2/10
Free adaptation of Machado de Assis's short story "Pai Contra Mãe", having some of Nireu Cavalcanti's 18th Century chronicles as inspiration, the film traces parallels between life in during the slavery period and in modern Brazil.
Big Jet
6.7/10
The boy Francisco spent his days accompanying his father at work, or rather, on the roads. The man is a driver of the imposing Big Jet, a pickup truck used to clean the city's cesspools without basic sanitation. But the boy is more interested in the ideas of his uncle, a libertarian and anarchist artist. As he discovers his first love, Chico realizes the vocation to become a poet.
Hour of the Star
7.4/10
Macabéa has just moved to the big city after her aunt, who raised her, died. She gets a job as a typist and moves into a boarding house with three other women. In her spare time, she listens to a radio station called Time; on Sundays, she likes to ride the metro. Then she meets Olímpico, a northeasterner like herself, who has dreams of becoming a congressman.
Bog of Beasts
6.2/10
A man falls in love with a teenage girl, who is exploited by her own grandfather, who sometimes takes her to a gas station to show her naked to whomever pays him some money.
Pacarrete
7.2/10
Russas, a small town in northeastern Brazil, is the home of Pacarrete, a grumpy retired dance teacher who dreams of getting a big shot and starring at a dance spectacle for the whole town to see. She's close to fulfilling that dream, but not without overcoming a few impediments along the way.
CELEBRAÇÃO - 100 ANOS DO CINEMA NACIONAL
"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."
New Amsterdam
The arrival of the West Indian Companies to Natal in the XVII century is just the beginning of this violent story that pushes Bernarda and her family to run away from the city and from the invasion. In the Potengi Mill she meets the foreman's son Rafael and they immediately discover a passionate love. It will give them the force to try to survive during those violent years triggered by Jacob Rabbí, a German assigned by Prince John Maurice of Nassau to command the conquest.
Amélia
7.2/10
Fictional story based on Sarah Bernhard's visit to Brazil in 1905. The actress, experiencing a personal and professional crisis at the time, is induced by her personal Brazilian maid, Amélia, to make a performance in Rio de Janeiro. After arriving, she is forced to stand the company of Amélia's exotic sisters.
Brasa Adormecida
6.4/10
Rich girl travels with her fiancé (a cousin) to the family farm, where they're going to marry. But finds another cousin in love with her who does everything to hamper the wedding.
Helen
8.2/10
Helen lives in a cortiço with her grandmother, Mrs. Graça, who supports the family with informal jobs, such as selling skewers. Still very naive, her biggest concern is buying her grandmother a birthday present: a makeup kit. The girl is going to bend over backwards to get the money and her search will reveal the daily life of those living in tenements, outlining a collective story from the network of relations that the girl establishes.
The History of Eternity
8/10
In a small village in the hinterland, three stories of love and desire are changing the emotional landscape of its residents. Characters of a romanesque world in which their conceptions of life are limited on one side by human instincts, on the other by a blind and fatalist fate.
For All - O Trampolim da Vitória
6.3/10
1943, World War II. The northeastern coast of Brazil is an strategic region for the Allies. Giancarlo, an Italian immigrant married to a Brazilian woman, lives nearby the Parnamirin Field, the largest military base built by the USA outside of their territory. In this new base, Brazilian recruits who speak English suddenly find themselves reaching privileged positions.
Nova Iorque
6.8/10
Hermila and Leandro want to escape. Hermila and Leandro want to stay.
The Mother
A street vendor who lives in the outskirts of São Paulo returns home at night and does not find her teenager son. After a nonstop search, she finds out the boy was killed by the police and his body is missing. This is the beginning of this woman’s vertiginous fight for the right to bury her son, a fight that will not only unveil the excessive violence of one of most lethal police forces of the world, but also how structural is racism in Brazilian society.
