The best Marcel Cuvelier’s thriller movies
If you love cinema, you will share this ranking of the best Marcel Cuvelier’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Marcel Cuvelier.
Elevator to the Gallows
7.9/10
A self-assured businessman murders his employer, the husband of his mistress, which unintentionally provokes an ill-fated chain of events.
Le Doulos
7.7/10
Enigmatic gangster Silien may or may not be responsible for informing on Faugel, who was just released from prison and is already involved in what should be a simple heist. By the end of this brutal, twisting, and multilayered policier, who will be left to trust?
The War Is Over
7.3/10
France, 1965. A man with many names, an exiled Spanish Communist in his forties, begins to accept the futility of his long struggle against the dictatorship of General Franco, who has suffocated his country with an iron hand since the end of the Civil War in 1939, when he learns that some of his comrades who work undercover in Spain are being cornered by the authorities. (Followed by “Roads to the South,” 1978.)
The Inheritor
6.2/10
After his father is killed in a plane crash, Bart Cordell returns back home to France to claim his inheritance: to lead the industrial empire his father built. But when a prostitute tries to set him up for a drug smuggling charge, he is forced to accept that his father may have been assassinated and that the killers are out to get him as well...
Trap for the Assassin
6.6/10
This one is generally looked upon as the best version of the old-fashioned melodrama by Jules Mary.Riccardo Freda,who was mainly known for his horror movies,tried also his hand at spy thrillers in the wake of James Bond ("Coplan Ouvre Le Feu à Mexico") ,and had a penchant for old French melodramas (before "Roger la Honte" ,he redid "Les Deux Orphelines " -D.W.GRiffith's "orphans of the storm-. Georges Géret replaces Lucien Coedel and Irene Pappas takes on Maria Casarès's part of his mistress.Freda 's movie is more compact ,with a running time of 105 min,whereas Cayatte's version (1945-46) spread over two episodes with a total time exceeding 3 hours.It also benefited from the use of color .But all in all,it's the same old story.
