The best Marcel Bozzuffi’s crime movies

Tough narcotics detective 'Popeye' Doyle is in hot pursuit of a suave French drug dealer who may be the key to a huge heroin-smuggling operation.

A detective is assigned to investigate the mysterious murders of some Supreme Court judges.

Six people travel by train overnight from Marseilles to Paris. When the train arrives at its destination, one of the passengers, a girl, is found dead in a sleeping berth. The police led by Inspector Grazzi investigate the other five passengers, suspecting that one of them was responsible. However, as the investigation is stepped up, the other passengers start turning up dead. It is then up to the last remaining two to solve the case, before they become the next victims.

When her father is murdered, a cosmetics heiress becomes the next target of an unknown killer amid the international jet set.

Hugo Sennart is a French Gypsy, wanted by the police for theft. The same inspector who's searching for him is also looking for a jewel thief, Yan Kuq, whose wife has died under suspicious circumstance just after a major burglary. The Gypsy needs to settle a few scores and make one more heist before going to ground, and, by coincidence, his path takes him close to Yan, who's hiding in the hotel of a close friend and former lover, Ninie. The Gypsy lives by a code of honor, which puts him at risk on occasion; and he despises those who treat his people as worse than dogs. The police close in. Is there honor among thieves?

A gangster escapes jail and quickly makes plans to continue his criminal ways elsewhere, but a determined inspector is closing in.

In Paris, a gold smuggler is at war with other local gangsters who want piece of the action. Then the mob shows up and makes things worse. And an undercover US Treasury Department agent is trying to infiltrate the smuggle business.

Gangsters from the United States try to kill a key government witness whose testimony could help land an influential mobster in jail. It's up to detective Maigret to deal with the FBI and a series of underworld figures to save the life of the witness...

An important drug lord settled in Marseille is suspected of having ordered the killing of an American agent, but it is impossible to impute him due to his political influences, so the dead agent's boss decides to hire the services of a hitman to kill him.

A trucker encounters a dead body on the road home. He reports the incident to the police, who suspect that Jean was responsible for the death, and his new truck is impounded. To make matters worse, the man's widow accuses him of having robbed her husband, and a gang of sinister crooks are also harassing him.

Cigarette smugglers in Naples run into problems with cocaine operations being set up by a rival smuggler.

Jean-Marie Fayard is a young examining magistrate in a large provincial french city. He belongs to that generation of judges who are endeavoring to re-adapt the notion of justice to our changing times. His methods are not agreeable to every one. Criticism and pressure are brought to bear upon him but he is aware of his value, professionally, and refuses to make any concessions. He follows an unwavering course. He uses dynamic methods and takes uncustomary initiatives. He behaves like a crusader, a battler, whence the nickname given him by the reporters : the sheriff.

Good dope is becoming rare in the North of Paris. Drugstores are being raided by junkies and gangs are nervous, fighting each others: the 'Viets', the 'Blackies', the 'Arabs', the neo-nazis 'Justiciers' and some mean gays. Vincent (Daniel Auteuil) is the good cop coming from Marseilles where he was a gangster. He's a soft method guy but also kicks assses hard and throw lethal dialog lines when needed. With the precious help of 'l'Arbalète'* (Marisa Berenson**), a tox' prostitute ex-member of Vincent's former gang, he will try to put order in that mess. There's also a violent and racist cop (Marcel Bozzuffi), Algeria veteran with hard methods, whose role could be more than to protect and to serve.

The story is about a youth named Massimo Monaldi, who, living in Rome, is a part-time college student who has some involvement in the protests that occur at his university. Massimo is also involved with drugs and he sometimes steals to make a living and support his habit (the theft of a tobacco box is very important to the story). Among his associates are his girlfriend, Cinzia, who comes from a wealthy family, and he has a wealthy male friend named Rudy who is very naive as well as strangely pampered by his overly-doting mother. Both families don't approve of their relationship with Massimo.

Patterning himself after the American gangster John Dillinger, the criminal (Robert Hossein) is tracked by the inspector (Charles Aznavour), a former childhood friend. Plenty of gunplay and psychology is used to trap the killer. His only tender moments are spent with his girlfriend Stella (Virna Lisi). Dillinger is cornered by the police and kills several innocent victims in a crowd during the shootout. The mob decides to take things into their own hands as they approach the doomed man with a noose when he runs out of bullets.

Louis Bertain is the owner of a Paris garage which is the front for a robbery gang. He and his accomplices are careful to keep up a civic veneer by day, indulging in criminal activities only when "the red light is on" at night. This status quo is upset when one of the gang members becomes convinced that Louis' younger brother is a police informer.

Fed up with the murderous shenanigans of Valli’s protection racket, police chief Grifi assembles an ace team of stunt trained police officers to tackle the mob!

10 years ago, François Nolan and his brother have been betrayed by one of their accomplices after a break-in. During the fight with the police, Francois's brother was killed, and a cop disfigured by François. Now, François is back for revenge. As nobody knows who the traitor was, the former accomplices lose their head. The disfigured cop is also waiting for the right moment to take his revenge on François.