The best Maïwenn’s movies
If you love cinema, you will share this ranking of the best Maïwenn’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Maïwenn.
Léon: The Professional
8.5/10
Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda. Before long, Mathilda's thoughts turn to revenge, and she considers following in Léon's footsteps.
The Fifth Element
7.6/10
In 2257, a taxi driver is unintentionally given the task of saving a young girl who is part of the key that will ensure the survival of humanity.
High Tension
6.7/10
Best friends Marie and Alexia decide to spend a quiet weekend at Alexia's parents' secluded farmhouse. But on the night of their arrival, the girls' idyllic getaway turns into an endless night of horror.
Polisse
7.3/10
Paris, France. Fred and his colleagues, members of the BPM, the Police Child Protection Unit, dedicated to pursuing all sorts of offenses committed against the weakest, must endure the scrutiny of Melissa, a photographer commissioned to graphically document the daily routine of the team.
Love Is the Perfect Crime
5.8/10
Marc, in his 40s, is a professor of literature at the University of Lausanne. Still a bachelor — and still living with his sister Marianne in a huge, isolated chalet that they inherited when they were very young — he carries on one love affair after another with his students. Winter has almost ended when one of his most brilliant students, Barbara, suddenly disappears. Two days later, Marc meets Barbara’s mother, Anna, who wants to find out more about her vanished daughter.
DNA
5.9/10
DNA revolves around a woman with close ties to a beloved Algerian grandfather who protected her from a toxic home life as a child. When he dies, it triggers a deep identity crisis as tensions between her extended family members escalate revealing new depths of resentment and bitterness.
One Deadly Summer
7.2/10
In spring 1976, a 19-year-old beauty, her German-born mother, and her crippled father move to the town of a firefighter nicknamed Pin-Pon. Everyone notices the provocative Eliane. She singles out Pin-Pon and soon is crying on his shoulder (she's myopic and hates her reputation as a dunce and as easy); she moves in with him, knits baby clothes, and plans their wedding. Is this love or some kind of plot? She asks Pin-Pon's mother and aunt about the piano in the barn: who delivered it on a November night in 1955? Why does she want to know, and what does it have to do with her mother's sorrows, her father's injury, this quick marriage, and the last name on her birth certificate?
All Inclusive
3.4/10
Planted by his fiancee at the airport, Bruno flies away alone for a week in an All Inclusive Caribbean vacation club. Bad news never comes alone, he will have to share his room with Jean-Paul Cisse, eternal bachelor very invading .
All About Actresses
6.5/10
While shooting a documentary about all kinds of actresses, the director falls for one of them.
The Price of Success
5.8/10
A comedian's relationship with his family crumbles when his career begins to take off.
Tralala
5.9/10
Tralala, a 48-year-old singer-composer, is an homeless in Paris. One evening, he believes he's meeting the Blessed Virgin who says to him before disappearing : "Above all, do not be yourself".
The Courage to Love
5.7/10
A picture of humankind in Paris: singers, shows, social gatherings, businessmen, nightclub barmen, bums, shoppers.
Pirate TV
5.9/10
It all began when camcorders replaced cameras. Making TV programs then became within everyone's reach. Jean-Lou, Yasmina, Victor, Clara, Adonis, and the others didn't only want to create their own television channel, they above all wanted to make a revolution. Thus Télé Gaucho was born, as anarchic and provocative as the main channels were conformist and reactionary. Five years of mayhem, brutal pirate TV demonstrations, drunken parties, and thwarted love.. And that was my idyllic interlude.
Sisters
5.3/10
For thirty years, French-Algerian sisters Zorah, Nohra and Djamila have been living in the hope of finding their brother Rheda, abducted by their father, and hidden in newly decolonised Algeria. Their relationship is shaken when Zorah, the eldest sister, decides to write a play based on the traumatising events of their childhood that haunted them their whole life. But when they learn that their father is dying, the three sisters decide to go to Algeria to seize their last opportunity to have him reveal where their brother is. When the past catches up, the three sisters have no choice but to put their differences aside.
Forgive Me
6.5/10
Expectant wife who opens a nasty barrel of worms by filming a documentary about her dysfunctional family.
D'un film à l'autre
7.1/10
On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).
La Gamine
3.6/10
A teen girl is wrongfully suspected for a crime. A former cop helps her to proof her innocence. There's only one problem : her behavior brings the two of them more than once in trouble.
The Elegant Criminal
6.1/10
On 9 January 1836, Pierre Lacenaire goes to the guillotine, a murderer and a thief. He gives Allard, a police inspector, his life story, written while awaiting execution. He also asks Allard to care for Hermine, a lass to whom he has been guardian for more than ten years. In flashbacks, from the prison as Lacenaire writes, from Allard's study as he and Hermine read, and from other readers' memory after the book is published, we see Lacenaire's childhood as he stands up to bullies, including priests, his youthful thieving, his first murder, his brief army career, his seduction of a princess, and his affair with Avril, a young man who dies beside him.
The Man In The Hat
6.4/10
The Man In The Hat sets off from Marseilles in a small Fiat 500. On the seat beside him is a framed photograph of an unknown woman. Behind him is a 2CV into which is squeezed Five Bald Men. Why are they chasing him? And how can he shake them off? As he travels North through France, he encounters razeteurs, women with stories to tell, bullfights, plenty of delicious food, a damp man, mechanics, nuns, a convention of Chrystallographers and much more, coming face to face with the vivid eccentricities of an old country.
Osmosis
6/10
Abel awash in his conquests phone numbers, Remi raises metaphysical questions about his look, Lucia movie fan obscure authors while its Fab him is he loves boxing. Between party, laundromat and small cafe in the sun chronicle their friendship and their complicity.
