The best Maho Yamada’s romance movies
Today we present the best Maho Yamada’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Maho Yamada’s movies.
Hold Me Back
6.5/10
Mitsuko Kuroda is 31-years-old and single. She enjoys her life as a single woman. A big reason why she enjoys her single life is that she has counsellor "A" in her mind, which is her other self. Whenever she does not know what do, "A" gives her the right answers. She believes her happy and peaceful single life with "A" will continue, but she falls in love with Tada-kun (Kento Hayashi). He is a salesperson and younger than her. --asianwiki
Afro Tanaka
6.2/10
Hiroshi Tanaka sports an intense perm which looks like the afro hairstyle favored by some African-Americans back in the 1970's. He doesn't get his hair done at a hair shop, he was actually born with his hair like that. For freedom, Hiroshi moves to Tokyo. He works hard there and, even though he turns 24, he still doesn't have a girlfriend. Meanwhile, a school friend informs Hiroshi that he is going to get married. Hiroshi remembers a promise that they made. Hiroshi is even more impatient to find a girlfriend. A beautiful woman named Aya Kato then moves into the neighborhood.
B の戦場
Waiting for the Moon
Yumi is a victim when the triple disaster of an earthquake, tsunami and nuclear meltdown occur in Japan of 2011. She is a guest of her aunt now. She finds a job at a local bar and works under the owner Sugiya, a man who has amnesia and barely recalls anything except his recipes. The two begin to develop feelings for one another.
How Selfish I Am!
5.5/10
Even though Kumiko realizes that she won’t be able to patch things up with her former lover, she ends up preparing a meal for him. Though she lives only for going to the concerts of her favorite band, Mie curses her nonexistent luck when she’s forced to do overtime on the day of a concert. Although Tsuda somehow lives off of doing day labor, he does not have any friends and is unable to establish interaction with society. In his indolent lifestyle, Rikuo only knows how to express himself through violence. The clumsy lives of these characters intersect.
